DOCTOR. [_With a sour smile._] Well, they saw them in Ireland. I suppose it's quite correct to see fairies in Ireland. It's like gambling at Monte Carlo. It's quite respectable. But I do draw the line at their seeing fairies in England. I do object to their bringing their ghosts and goblins and witches into the poor Duke's own back garden and within a yard of my own red lamp. It shows a lack of tact. Patricia, moreover, wanders about the park and the woods in the evenings. "Damp evenings for choice. She calls it the Celtic twilight. I've no use for the Celtic twilight myself. It has a tendency to get on the chest." The Duke, annoyed by this love of fairies, has blundered, in his usual way, on an absurd compromise between the real and the ideal. A conjuror is to come that very night. When explanations have gone so far, the Duke at last makes his entry. The stage directions tell us that "in the present state of the peerage it is necessary to explain that the Duke, though an ass, is a gentleman." His thoughts are the most casual on earth. He is always being reminded of something or somebody which has nothing to do with the case. As for instance, "I saw the place you're putting up . . . Mr. Smith. Very good work. Very good work, indeed. Art for the people, eh? I particularly liked that woodwork over the west door--I'm glad to see you're using the new sort of graining . . . why, it all reminds one of the French Revolution." After one or two dissociations of this sort, the expected Morris Carleon enters through the French window; he is rather young and excitable, and America has overlaid the original Irishman. Morris immediately asks for Patricia and is told that she is wandering in the garden. The Duke lets out that she sees fairies; Morris raves a bit about his sister being allowed out alone with anything in the nature of a man, when Patricia herself enters. She is in a slightly exalted state; she has just seen her fairy, him of the pointed hood. Morris, of course, is furious, not to say suspicious. DOCTOR. [_Putting his hand on_ MORRIS'S _shoulder._] Come, you must allow a little more for poetry. We can't all feed on nothing but petrol. DUKE. Quite right, quite right. And being Irish, don't you know, Celtic, as old Buffle used to say, charming songs, you know, about the Irish girl who has a plaid shawl--and a Banshee. [_Sighs profoundly._] Poor old Gladstone! [_Silence._] SMITH. [_Speaking to_ DOCTOR.] I thought you yourself considered the family superstition bad for the health? DOCTOR. I consider a family superstition is better for the health than a family quarrel.