Chesterton, G. K. (Gilbert Keith), 1874-1936 -- Criticism and interpretation
When we read this poem, with its proclamation of a faith restored,
Chesterton's temporary absence from the field of letters appears even
more lamentable. For even before his breakdown he had given other signs
of a resurrection. Between the overworked descriptions of _The Flying
Inn_ and the little book _The Barbarism of Berlin_ which closely
followed it, there is a fine difference of style, as if in the interval
Chesterton had taken a tonic. Thus there is a jolly passage in which,
describing German barbarism, he refers to the different ways of treating
women.
The two extremes of the treatment of women might
be represented by what are called the respectable
classes in America and in France. In America they
choose the risk of comradeship; in France the
compensation of courtesy. In America it is
practically possible for any young gentleman to
take any young lady for what he calls (I deeply
regret to say) a joy-ride; but at least the man
goes with the woman as much as the woman with the
man. In France the young woman is protected like a
nun while she is unmarried; but when she is a
mother she is really a holy woman; and when she is
a grandmother she is a holy terror. By both
extremes the woman gets something back out of
life. France and America aim alike at
equality--America by similarity; France by
dissimilarity. But North Germany does actually aim
at inequality. The woman stands up, with no more
irritation than a butler; the man sits down, with
no more embarrassment than a guest.
And so on. It runs very easily; we recognize the old touch; the epigrams
are not worked to death; and the chains of argument are not mere strings
of damped brilliancies. And before 1914 had come to its end, in another
pamphlet, _Letters to an Old Garibaldian_, the same style, the same
freshness of thought, and the same resurgent strength were once again in
evidence. Then illness overcame.
* * * * *
Public-domain text, read in full here on John Shaqi.
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