France -- History -- 15th century -- Juvenile fiction; Illumination of books and manuscripts -- Juvenile fiction
He did not know that the monk, at that moment, was sitting moodily by
his work-table, his eyes staring aimlessly ahead of him, and his hands
dropped idly in his lap. For Brother Stephen was feeling very cross and
unhappy and out of sorts with all the world. And this was the reason:
poor Brother Stephen had entered the Abbey when a lad scarcely older
than Gabriel. He had come of good family, but had been left an orphan
with no one to care for him, and for want of other home had been sent to
the Abbey, to be trained for the brotherhood; for in those days there
were few places where fatherless and motherless children could be taken
care of.
As little Jean (for this was his name before he joined the monks, when
one's own name was always changed) grew up, he took the solemn vows
which bound him to the rules of the brotherhood without realizing what
it all would mean to him; for Brother Stephen was a born artist; and, by
and by, he began to feel that while life in the Abbey was well for most
of the brothers, for him it was not well. He wanted to be free to wander
about the world; to paint pictures of many things; and to go from city
to city, and see and study the work of the world's great artists.
It is true he spent the greater part of his time in the Abbey working on
the illuminated books, and this he loved; yet it did not wholly satisfy
him. He longed to paint other things, and, above all, his artist nature
longed for freedom from all the little rules of daily life that
governed the days of the brotherhood.
Brother Stephen had brooded much over this desire for freedom, and only
the day before had sought out the Abbot of St. Martin's and asked to be
released from the vows of obedience which he had taken years before, but
which now he found so hard to live up to. But, to his great
disappointment, the Abbot had refused to grant his request.
The Abbot had several reasons for this refusal; one of them was that he
himself dearly loved all the little daily ceremonies of the Abbey, and
he could not understand why any one who had once lived there could
prefer a life in the world. He really thought it was for Brother
Stephen's own good that he should stay in the brotherhood.
And then, too, perhaps there was another reason less to the Abbot's
credit; and this reason was that of all the beautiful illuminated books
for which the Abbey of St. Martin's had become so famous, none were
quite so exquisitely done as those made by Brother Stephen. So perhaps
the Abbot did not wish to lose so skilful an artist from the work-room
of the Abbey, and especially at this particular time. For just before
Brother Stephen had had his talk with the Abbot, a messenger from the
city of Paris had come to the Abbey, bearing an order from the king,
Louis XII., who reigned over France, and Normandy also, which was a part
of France.
Public-domain text, read in full here on John Shaqi.
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