"To speak plainly, my child, you are a young woman, and I am a young
man. Your beauty, dear Grace, offers an explanation of our companionship
that the world will accept more readily than any other, and the truth to
many would seem scarcely as natural. For this reason it must not be
told. I will go back alone with relief, and leave you here in some safe
hands until I return. But I leave you here not as Grace Conroy--you
shall take my own name!"
A hot flush mounted to Grace's throat and cheek, and for an instant,
with parted lips, she hung breathless upon his next word. He continued
quietly--
"You shall be my sister--Grace Ashley."
The blood fell from her cheek, her eyelids dropped, and she buried her
face in her hands. Philip waited patiently for her reply. When she
lifted her face again, it was quiet and calm--there was even a slight
flush of proud colour in her cheek as she met his gaze, and with the
faintest curl of her upper lip said--
"You are right!"
At the same moment there was a sudden breaking of light and warmth and
sunshine over their heads; the tree swiftly swung round a sharp curve in
the river, and then drifted slowly into a broad, overflowed valley,
sparkling with the emerald of gently sloping hillsides, and dazzling
with the glow of the noonday sun. And beyond, from a cluster of willows
scarcely a mile away, the smoke of a cabin chimney curled in the still
air.
CHAPTER VI.
FOOTPRINTS.
For two weeks an unclouded sun rose and set on the rigid outlines of
Monument Point. For two weeks there had been no apparent change in the
ghastly whiteness of the snow-flanked rocks; in the white billows that
rose rank on rank beyond, in the deathlike stillness that reigned above
and below. It was the first day of April; there was the mildness of
early spring in the air that blew over this gaunt waste, and yet awoke
no sound or motion. And yet a nearer approach showed that a slow
insidious change had been taking place. The white flanks of the mountain
were more hollow; the snow had shrunk visibly away in places, leaving
the grey rocks naked and protuberant; the rigid outlines were there, but
less full and rounded; the skeleton was beginning to show through the
wasting flesh; there were great patches of snow that had sloughed away,
leaving the gleaming granite bare below. It was the last change of the
Hippocratic face that Nature turned toward the spectator. And yet this
change had been noiseless--the solitude unbroken.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account