But Dilly Bal's most difficult job is with the Moon. Regularly the Moon blackens her face in a vain effort to hide from King Sun. If she used smut or soot, Dilly Bal's task would not be so difficult; but she has found a lake of pitch somewhere in Africa, and in this lake she smears her face till it is so black her best friends wouldn't know her. The pitch is such sticky stuff that it is days and days before it can be rubbed off. The truth is, Dilly Bal never does succeed in getting all the pitch off. At her brightest, the Moon shows signs of it. So said Tasma Tid, and so we all firmly believed. Yes, indeed! If this chronicle could be confined to the childhood and youth of those children, Dilly Bal would be the hero first and last. He was so real to all of us that we used to wander out to the old Bermuda fields almost every fine afternoon, and sit there until the light had faded from the sky, watching Dilly Bal hanging the stars on their pegs. The Evening Star was such a large and heavy one that Dilly Bal always replaced it before dark, so as to be sure not to drop it. Once when we stayed out in the Bermuda fields later than usual, a big star fell from its place, and went flying across the sky, leaving a long and brilliant streamer behind it. At first, Nan thought that Dilly Bal had tried to hang the Evening Star on the wrong peg, but when she looked in the west, there was the big star winking at her and at all of us as hard as it could. The pity of it was that Nan and Gabriel, and all their young friends, had finally to come in contact with the hard practical affairs of the world. As for Tasma Tid, contact had no special influence on her. She was to all appearance as unchangeable as the pyramids, and as mysterious as the Sphinx. But it was different with Nan and Gabriel, and, indeed, with all the rest. Their story soon ceased to be a simple one. In some directions, it appeared to be a hopeless tangle, catching a great many other persons in its loops and meshes; so that, instead of a simple, entrancing story, all aglow with the glamour of romance, they had troubles that were grievous, and their full share of dulness and tediousness, which are the essential ingredients of everyday life. After all, it is perhaps fortunate that the marvellous dreams of Nan and Gabriel, and the quaint imaginings of Tasma Tid are not to be chronicled. The spinning of this glistening gossamer once begun would have no end, for Nan was an expert dreamer both night and day, and in the practice of this art, Gabriel was not far behind her; while Tasma Tid, who was Nan's maid and bodyguard, could frame her face in her hands, and tell you stories from sunrise to sundown and far into the night.