Most of Gainsborough's biographers have treated Thicknesse with but
scant justice. No doubt he was a self-satisfied and overbearing man,
who had the failing of wishing to manage the lives of those who came
into contact with him, and who was equally prompt to take offence, and
to offend in retaliation those who would not be led by his dictatorial
advice. But in the case of Gainsborough, he certainly rendered him the
most inappreciable services, and in the quarrel that followed the
artist was probably almost as much to blame as the patron. Be that as
it may, it was on Thicknesse's initiative, and on his initiative alone,
that Gainsborough removed from Ipswich to Bath in the year 1758. The
importance of this move cannot be overrated, and posterity, no less
than the painter himself, owes to Philip Thicknesse a considerable debt
of gratitude for having been instrumental in bringing it to pass. The
horizon at Ipswich was strictly limited; and although no doubt
Gainsborough's genius was inborn, he would probably, had he remained in
Suffolk, never have developed into the superb painter who must ever be
one of the most dazzling stars of the artistic universe. We shall have
occasion later to return to this change of scene and to its influence
on Gainsborough's life-work.
It was Thicknesse then who persuaded Gainsborough to leave Ipswich and
to settle at Bath. Much to the terror of frugal Mrs. Gainsborough, the
painter, still acting on his patron's guidance, took a house in the
Circus at the annual rental of £50. Thicknesse had many friends at
Bath, and to them he warmly recommended his protégé. Whether it was
through the influence of Thicknesse, or by the sole force of the
artist's own genius, success was soon forthcoming and sitters flocked
to his studio. His previous charge of five guineas for a half-length
portrait was almost immediately raised to eight, and before very long
his patrons became so numerous that he was able to demand no less than
forty guineas for a half-length, and one hundred guineas for a
full-length, very high prices for those days.
Public-domain text, read in full here on John Shaqi.
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