From my window overlooking the green, I was led away into some one or
other of the several halls to see the "round dances"; and it was like
going from Paradise to Pandemonium. From the pure and healthy lawn,
all the purer for the pure and peaceful people pleasantly walking up
and down in the sunshine and shade, or grouped in the numerous windows,
like bouquets of rare tropical flowers,--from the green, rainbowed in
vivid splendor, and alive with soft, tranquil motion, fair forms, and
the flutter of beautiful and brilliant colors,--from the green,
sanctified already by the pale faces of sick, and wounded, and maimed
soldiers who had gone out from the shadows of those sheltering trees to
draw the sword for country, and returned white wraiths of their
vigorous youth, the sad vanguard of that great army of blessed martyrs
who shall keep forever in the mind of this generation how costly and
precious a thing is liberty, who shall lift our worldly age out of the
slough of its material prosperity in to the sublimity of suffering and
sacrifice,--from suggestions, and fancies, and dreamy musing, and
"phantasms sweet," into the hall, where, for flower-scented summer air
were thick clouds of fine, penetrating dust; and for lightly trooping
fairies, a jam of heated human beings, so that you shall hardly come
nigh the dancers for the press; and when you have, with difficulty, and
many contortions, and much apologizing, threaded the solid mass,
piercing through the forest of fans,--what? An enclosure, but no more
illusion.
Waltzing is a profane and vicious dance. When it is prosecuted in the
centre of a great crowd, in a dusty hall, on a warm midsummer day, it
is also a disgusting dance. Night is its only appropriate time. The
blinding, dazzling gas-light throws a grateful glare over the salient
points of its indecency, and blends the whole into a wild whirl that
dizzies and dazes one; but the uncompromising afternoon, pouring in
through manifold windows, tears away every illusion, and reveals the
whole coarseness and commonness and all the repulsive details of this
most alien and unmaidenly revel. The very POSE of the dance is
profanity. Attitudes which are the instinctive expression of intimate
emotions, glowing rosy-red in the auroral time of tenderness, and
justified in unabashed freedom only by a long and faithful habitude of
unselfish devotion, are here openly, deliberately, and carelessly
assumed by people who have but a casual and partial
society-acquaintance. This I reckon profanity. This is levity the
most culpable. This is a guilty and wanton waste of delicacy. That it
is practised by good girls and tolerated by good mothers does not prove
that it is good. Custom blunts the edge of many perceptions. A good
thing soiled may be redeemed by good people; but waltz as many as you
may, spotless maidens, you will only smut yourselves, and not cleanse
the waltz. It is of itself unclean.
Public-domain text, read in full here on John Shaqi.
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