There were, besides, peculiar desagrements on this occasion. As I said,
there was no illusion,--not a particle. It was no Vale of Tempe, with
Nymphs and Apollos. The boys were boys, young, full of healthful
promise, but too much in the husk for exhibition, and not entirely at
ease in their situation,--indeed, very much NOT at ease,--unmistakably
warm, nervous, and uncomfortable. The girls were pretty enough girls,
I dare say, under ordinary circumstances,--one was really lovely, with
soft cheeks, long eyelashes, eyes deep and liquid, and Tasso's gold in
her hair, though of a bad figure, ill set off by a bad dress,--but
Venus herself could not have been seen to advantage in such evil plight
as they, panting, perspiring, ruffled, frowzy,--puff-balls revolving
through an atmosphere of dust,--a maze of steaming, reeking human
couples, inhumanly heated and simmering together with a more than
Spartan fortitude.
It was remarkable, and at the same time amusing, to observe the
difference in the demeanor of the two sexes. The lions and the fawns
seemed to have changed hearts,--perhaps they had. It was the boys that
were nervous. The girls were unquailing. The boys were, however,
heroic. They tried bravely to hide the fox and his gnawings; but
traces were visible. They made desperate feint of being at the height
of enjoyment and unconscious of spectators; but they had much modesty,
for all that. The girls threw themselves into it pugnis et
calcibus,--unshrinking, indefatigable. Did I say that it was amusing?
I should rather say that it was painful. Can it be anything but
painful to see young girls exhibiting the hardihood of the
"professional" without the extenuating necessity?
There is another thing which girls and their mothers do not seem to
consider. The present mode of dress renders waltzing almost as
objectionable in a large room as the boldest feats of a French
ballet-dancer.
Public-domain text, read in full here on John Shaqi.
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