I would not be understood as decrying or depreciating dress. It is a
duty as well as a delight. Mrs. Madison is reported to have said that
she would never forgive a young lady who did not dress to please, or
one who seemed pleased with her dress. And not only young ladies, but
old ladies and old gentlemen, and everybody, ought to make their dress
a concord and not a discord. But Saratoga is pitched on a perpetual
falsetto, and stuns you. One becomes sated with an interminable piece
de resistance of full dress. At the seaside you bathe; at the
mountains you put on stout boots and coarse frocks and go a-fishing;
but Saratoga never "lets up,"--if I may be pardoned the phrase.
Consequently, you see much of crinoline and little of character. You
have to get at the human nature just as Thoreau used to get at
bird-nature and fish-nature and turtle-nature, by sitting perfectly
still in one place and waiting patiently till it comes out. You see
more of the reality of people in a single day's tramp than in twenty
days of guarded monotone. Now I cannot conceive of any reason why
people should go to Saratoga, except to see people. True, as a general
thing, they are the last objects you desire to see, when you are
summering. But if one has been cooped up in the house or blocked up in
the country during the nine months of our Northern winter, he may have
a mighty hunger and thirst, when he is thawed out, to see human faces
and hear human voices; but even then Saratoga is not the place to go
to, on account of this very artificialness. By artificial I do not
mean deceitful. I saw nobody but nice people there, smooth, kind, and
polite. By artificial I mean wrought up. You don't get at the heart
of things. Artificialness spreads and spans all with a crystal
barrier,--invisible, but palpable. Nothing was left to grow and go at
its own sweet will. The very springs were paved and pavilioned. For
green fields and welling fountains and a possibility of brooks, which
one expects from the name, you found a Greek temple, and a
pleasure-ground, graded and grassed and pathed like a cemetery, wherein
nymphs trod daintily in elaborate morning-costume. Everything took
pattern and was elaborate. Nothing was left to the imagination, the
taste, the curiosity. A bland, smooth, smiling surface baffled and
blinded you, and threatened profanity. Now profanity is wicked and
vulgar; but if you listen to the reeds next summer, I am not sure that
you will not hear them whispering, under, "Thunder!"
Public-domain text, read in full here on John Shaqi.
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