We connect the idea of fixity with the mountains, but they seem to me
to be continually pirouetting with each other,--exchanging or entirely
losing their identity. You are in the Alpine Valley. Around you stand
Mount Hayes, so named in honor of a worthy housekeeper; the Imp,
sobriquet of a winsome and roguish little girl, who once made the house
gay; the Pilot range,--because they pilot the Androscoggin down to the
sea, says one to whom I never appeal in vain for facts or reasons;
Mount Madison, lifting his shining head beyond an opening niched for
him in the woods of a high hill-top by Mr. Hamilton Willis of Boston,
whom let all men thank. I thanked him in my heart every morning, noon,
and night, looking up from my seat at table to that distant peak, where
otherwise I should have seen only a monotonous forest line. Over
against the sunset is Mount Moriah, and Carter, and Surprise. You know
them well. You can call them all by name. But you have no sooner
turned a corner than--where are they? Gone,--all changed. Every line
is altered, every contour new. Spurs have become knobs. Peaks are
ridges; summits, terraces. Madison probably has disappeared, and some
Adams or Jefferson rises before you in unabashed grandeur. Carter and
the Imp have hopped around to another point of the compass. All the
lesser landmarks, as the old song says,
"First upon the heel-tap, then upon the toe,
Wheel about, and turn about, and do just so."
Your topography is entirely dislocated. You must begin your
acquaintance anew. Fresh lines and curves, new forms and faces and
chameleon tints, thrust you off from the secrets of the Storm-Kings.
While you fancy yourself to be battering down the citadel, you are but
knocking feebly at the out-works. You have caught a single phase, and
their name is legion. Infinite as light, infinite as form, infinite as
motion, so infinite are the mountains. Purple and intense against the
glowing sunset sky, the Pilot range curves its strong outlines, or
shimmers steely-blue in the noonday haze. Day unto day uttereth
speech, and night unto night showeth knowledge of their ever-vanishing
and ever-returning splendors. New every morning, fresh every evening,
we fancy each pageant fairer and finer than the last. Every summer
hour, a messenger from heaven, is charged with the waiting landscape,
and drapes it with its own garment of woven light, celestial broidery.
Sunshine crowns the crests, and stamps their kinship to the skies.
Shadows nestle in the dells, flit over the ridges, hide under the
overhanging cliffs, to be chased out in gleeful frolic by the slant
sunbeams of the mellow afternoon. Clouds and vapors and unseen hands
of heaven flood the hills with beauty. They have drunk in the warmth
and life of the sun, they quiver beneath his burning glance, they lie
steeped in color, gorgeous, tremulous, passionate, rosy red dropping
away into pale gold, emeralds dim and sullen where they ripple down
Public-domain text, read in full here on John Shaqi.
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