towards the darkness, dusky browns and broad reaches of blue-black
massiveness, till the silent starlight wraps the scene with blessing,
and the earth sitteth still and at rest.
On such an evening, never to be forgotten, we stood alone with the
night. Day had gone softly, evening came slowly. There was no speech
nor language, only hope and passion and purpose died gently out.
Individualities were not, and we stood at one with the universe, hand
in hand with the immortals, silent, listening. It was as if the
heavens should give up their secret, and smite us with the music of the
spheres. Suddenly, unheralded, up over the summit of Mount Moriah came
the full moan, a silver disc, a lucent, steady orb, globular and grand,
filling the valleys with light, touching all things into a hushed and
darkling splendor. To us, standing alone, far from sight of human face
or sound of human voice, it seemed the censer of God, swung out to
receive the incense of the world.
Multifold mists join hands with the light to play fantastic tricks upon
these mighty monarchs. The closing day is tender, bringing sacrifice
and oblation; but the day of flitting clouds and frequent showers riots
in changing joys. Every subordinate eminence that has arrogated to
itself the sublimity of the distant mountain, against whose rocky sides
it lay lost, is unmasked by the vapors that gather behind it and reveal
its low-lying outlines. Every little dimple of the hills has its
chalice of mountain wine. The mist stretches above the ridge, a long,
low, level causeway, solid as the mountains themselves, which buttress
its farther side, a via triumpha, meet highway for the returning
chariot of an emperor. It rears itself from the valleys, a dragon
rampant and with horrid jaws. It flings itself with smothering
caresses about the burly mountains, and stifles them in its close
embrace. It trails along the hills, floating in filmy, parting gauze,
scattering little flecks of pearl, fringing itself over the hollows,
and hustling against a rocky breastwork that bars its onward going. It
wreathes upward, curling around the peaks and veiling summits, whose
slopes shine white in the unclouded sun. It shuts down gray, dense,
sombre, with moody monotone. It opens roguishly one little loop-hole,
through which--cloud above, cloud below, cloud on this side and on
that--you see a sweet, violet-hued mountain-dome, lying against a
background of brilliant blue sky,--just for one heart-beat, and it
closes again, gray, sheeted, monotonous.
Public-domain text, read in full here on John Shaqi.
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