Spanish fiction -- Translations into English; Spanish poetry -- Translations into English
ELICIO.
Now the fair sun sinks o'er the hill to rest,
The growing gloom doth, best of friends, invite
Us to repose, the night is drawing nigh.
ERASTRO.
The village draweth nigh, for rest I long.
ELICIO.
Let us put silence to our wonted song.
Those who were listening to Elicio and Erastro would have held it a
good thing that the way should be prolonged in order to enjoy more
the agreeable song of the love-sick shepherds; but the closing-in of
night and their coming to the village caused them to cease from it, and
Aurelio, Galatea, Rosaura, and Florisa to betake themselves to their
house. Elicio and Erastro likewise went to theirs, with the intention
of going forthwith to where Thyrsis and Damon and the other shepherds
were, for so it was agreed between them and Galatea's father. They
were only waiting until the white moon should banish the darkness of
the night; and as soon as she showed her fair face, they went to seek
Aurelio, and all together made their way towards the hermitage, where
there happened to them what will be seen in the following book.
BOOK V.
So great was the desire the love-sick Timbrio and the two fair sisters
Nisida and Blanca felt to reach Silerio's hermitage that the swiftness
of their steps, though it was great, could not come up to that of their
will; and, knowing this, Thyrsis and Damon would not press Timbrio
to fulfil the word he had given to relate to them on the way all
that had happened during his travels after he departed from Silerio.
Nevertheless, carried away by the desire they had to learn it, they
were just going to ask it of him, had there not at that moment smitten
the ears of all the voice of a shepherd, who was singing amongst some
green trees a little way off the road; from the somewhat untuneful
sound of his voice, and from what he was singing, he was at once
recognised by most of those who were coming along, especially by his
friend Damon, for it was the shepherd Lauso who was repeating some
verses to the sound of a small rebeck. And because the shepherd was so
well known, and all had learned of the change which had taken place in
his inclination, they checked their steps of one accord, and stopped to
listen to what Lauso was singing, which was this:
LAUSO.
Who hath come a slave to make
Of my thought, with freedom filled?
Who, where fortune did forsake,
Lofty towers of wind could build
On foundations doomed to break?
Who my freedom took away,
What time I in safety lay,
And with life was satisfied?
Who my breast hath opened wide,
And hath made my will decay?
Public-domain text, read in full here on John Shaqi.
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