Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Gallegher felt as if he had been suddenly dragged into consciousness
out of a bad dream, and stood for a second like a half-awakened
somnambulist.
They had stopped the cab under an electric light, and its glare shone
coldly down upon the trampled snow and the faces of the men around him.
Gallegher bent forward, and lashed savagely at the horse with his whip.
“Let me go,” he shouted, as he tugged impotently at the reins. “Let me
go, I tell you. I haven't stole no cab, and you've got no right to stop
me. I only want to take it to the _Press_ office,” he begged. “They'll
send it back to you all right. They'll pay you for the trip. I'm not
running away with it. The driver's got the collar--he's 'rested--and I'm
only a-going to the _Press_ office. Do you hear me?” he cried, his voice
rising and breaking in a shriek of passion and disappointment. “I tell
you to let go those reins. Let me go, or I'll kill you. Do you hear me?
I'll kill you.” And leaning forward, the boy struck savagely with his
long whip at the faces of the men about the horse's head.
Some one in the crowd reached up and caught him by the ankles, and with
a quick jerk pulled him off the box, and threw him on to the street. But
he was up on his knees in a moment, and caught at the man's hand.
“Don't let them stop me, mister,” he cried, “please let me go. I didn't
steal the cab, sir. S'help me, I didn't. I'm telling you the truth. Take
me to the _Press_ office, and they'll prove it to you. They'll pay you
anything you ask 'em. It's only such a little ways now, and I've come
so far, sir. Please don't let them stop me,” he sobbed, clasping the man
about the knees. “For Heaven's sake, mister, let me go!”
The managing editor of the _Press_ took up the india-rubber
speaking-tube at his side, and answered, “Not yet” to an inquiry the
night editor had already put to him five times within the last twenty
minutes.
Then he snapped the metal top of the tube impatiently, and went
up-stairs. As he passed the door of the local room, he noticed that the
reporters had not gone home, but were sitting about on the tables and
chairs, waiting. They looked up inquiringly as he passed, and the city
editor asked, “Any news yet?” and the managing editor shook his head.
The compositors were standing idle in the composing-room, and their
foreman was talking with the night editor.
“Well,” said that gentleman, tentatively.
“Well,” returned the managing editor, “I don't think we can wait; do
you?”
“It's a half-hour after time now,” said the night editor, “and we'll
miss the suburban trains if we hold the paper back any longer. We can't
afford to wait for a purely hypothetical story. The chances are all
against the fight's having taken place or this Hade's having been
arrested.”
“But if we're beaten on it--” suggested the chief. “But I don't think
that is possible. If there were any story to print, Dwyer would have had
it here before now.”
The managing editor looked steadily down at the floor.
Public-domain text, read in full here on John Shaqi.
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