“Well,” she observed, dryly, “I guess likely we'd better go, hadn't
we? If it is as bad as all that I should say we had, sure and certain.
Primmie Cash, I'm ashamed of you. Mr. Cabot, we'll finish our talk when
we come back. What under the sun you can possibly mean I declare I don't
understand.... But, there, it will keep. Come, Mr. Bangs.”
She led the way from the sitting room. Cabot followed her and,
staggering slightly and with a hand still pressed to his forehead,
Galusha followed them. He was saved for the time, he realized that, but
for such a very short time. For an hour or two he was to hang in the air
and then would come the inevitable crash. When they returned home, after
the seance was over, Martha would question Cousin Gussie, Cousin Gussie
would answer, then he would be questioned and--and the end would come.
Martha would know him for what he was. As they emerged from the Phipps'
door into the damp chill and blackness of that October evening, Galusha
Bangs looked hopelessly up and down and for the first time in months
yearned for Egypt, to be in Egypt, in Abyssinia, in the middle of the
great Sahara--anywhere except where he was and where he was fated to be.
The windows of the light keeper's cottage were ablaze as they drew near.
Overhead the great stream of radiance from the lantern in the tower shot
far out. There was almost no wind, and the grumble of the surf at the
foot of the bluff was a steady bass monotone.
Zacheus, who had waited to walk over with them, was in a fault-finding
state of mind. It developed that he could not attend the meeting in the
parlor; his superior had ordered that he “tend light.”
“The old man says I hadn't no business comin' to the other sea-ants
thing,” said Zach. “Says him and me ain't both supposed never to leave
the light alone. I cal'late he's right, but that don't make it any
better. There's a whole lot of things that's right that hadn't ought to
be. I presume likely it's right enough for you to play that mouth organ
of yours, Posy. They ain't passed no law against it yet. But--”
“Oh, be still, Zach Bloomer! You're always talkin' about my playin' the
mouth organ. I notice you can't play anything, no, nor sing neither.”
“You're right, Pansy Blossom. But the difference between you and me
is that I know I can't.... Hey? Why, yes, Martha, I shouldn't be a bit
surprised if the fog came in any time. If it does that means I've got to
tend foghorn as well as light. Godfreys!”
Before they opened the side door of the Hallett home, the buzz of voices
in the parlor was distinctly audible. Lulie heard the door open and met
them in the dining room. She was looking anxious and disturbed. Martha
drew her aside and questioned her concerning her father. Lulie glanced
toward the parlor door and then whispered:
“I don't know, Martha. Father seems queer to-night, awfully queer. I
can't make him out.”
“Queer? In what way? He is always nervous and worked up before these
silly affairs, isn't he?”
Public-domain text, read in full here on John Shaqi.
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