_Scene first._ A genteel coffee-house,--whose humane screen conceals a
line of grenadier bottles, and hides respectable blushes from
impertinent eyes. There is a quiet little room opening out of the bar;
and here sit four jovial youths. The cards are out, the wines are in.
The fourth is a reluctant hand; he does not love the drink, nor approve
the game. He anticipates and fears the result of both. Why is he here?
He is a whole-souled fellow, and is afraid to seem ashamed of any
fashionable gaiety. He will sip his wine upon the importunity of a
friend newly come to town, and is too polite to spoil that friend's
pleasure by refusing a part in the game. They sit, shuffle, deal; the
night wears on, the clock telling no tale of passing hours--the prudent
liquor-fiend has made it safely dumb. The night is getting old; its dank
air grows fresher; the east is grey; the gaming and drinking and
hilarious laughter are over, and the youths wending homeward. What says
conscience? No matter what it says; they did not hear, and we will not.
Whatever was said, it was very shortly answered thus: "This has not been
gambling; all were gentlemen; there was no cheating; simply a convivial
evening; no stakes except the bills incident to the entertainment. If
anybody blames a young man for a little innocent exhilaration on a
special occasion, he is a superstitious bigot; let him croak!" Such a
garnished game is made the text to justify the whole round of gambling,
Let us, then, look at
_Scene the second._ In a room so silent that there is no sound except
the shrill cock crowing the morning, where the forgotten candles burn
dimly over the long and lengthened wick, sit four men. Carved marble
could not be more motionless, save their hands. Pale, watchful, though
weary, their eyes pierce the cards, or furtively read each other's
faces. Hours have passed over them thus. At length they rise without
words; some, with a satisfaction which only makes their faces brightly
haggard, scrape off the piles of money; others, dark, sullen, silent,
fierce, move away from their lost money. The darkest and fiercest of the
four is that young friend who first sat down to make out a game! He will
never sit so innocently again. What says he to his conscience now? "I
have a right to gamble; I have a right to be damned too, if I choose;
whose business is it?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account