Gambling; or, Fortuna, her temple and shrine.: The true philosophy and ethics of gambling — John Shaqi
Gambling; or, Fortuna, her temple and shrine.: The true philosophy and ethics of gamblingRomain, James Harold
Philosophy
Gambling; or, Fortuna, her temple and shrine.: The true philosophy and ethics of gambling
Romain, James Harold
Gambling
In the resplendent story of Rome are Scipio Africanus, a military
genius, and the conqueror of Hannibal; Cornelius Sulla, the great
general, sagacious politician, accomplished scholar, “one of the most
remarkable figures of all time;” Julius Cæsar, equally preëminent in
statecraft, war and letters; Marc Antony, brave and generous; Lepidus,
not the least of the second great triumvirate; Augustus, than whom a
more consummate ruler and prudent statesman never lived; Tiberius, a
writer of Greek odes and an orator at nine years of age; in battle he
repeatedly worsted the Parthians, Cantabrians, Dalmatians, Pannonians
and Illyrians; Domitian, conspicuous for his piety, who enforced the
laws against adultery and other gross forms of immorality; Titus,
bewailed at his death as “the love and light of the human race;”
Hadrian, just, liberal, valorous and energetic; Nerva, humane and
progressive; Trajan, indomitable and heroic; Alexander Severus, a
virtuous prince, a student of Christianity, and the friend of Paulus
and Ulpian; Sallust, distinguished in Latin literature for power and
animation; Livy, the man of beautiful genius; the graceful Catullus;
exquisite Horace and facile Ovid.
Among the Germanic peoples, Eugene of Savoy, a memory cherished by
Austria, who lived but for glory, and raised the Hapsburg arms to a
prestige unequaled before or since; Wallenstein, bold, imperious and of
versatile ability in civil and military affairs.
In Italy, the Abbes Ruccellai and Frangipanni, pious and charitable;
Reni Guido, who painted the marvellous “Crucifixion of St. Peter’s,”
and the “Aurora.” In art, he expressed a most refined and fervent
spiritualism.
Public-domain text, read in full here on John Shaqi.
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