Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
When the Franco-Spanish plans had thus reached a successful point in
their development, the elder Garcia decided that the time was ripe for
him to seek that wider success which he was ambitious of achieving. He
had already made his name in Spain both as a singer and composer; but
this did not satisfy him. Paris had long been the goal on which he had
set his mind. And what more favourable opportunity was likely to arise
than the present, when the successes of the alliance would naturally
predispose the French people to give a warm welcome to any Spaniards who
visited the country at such a moment? Accordingly he made his last
appearance in Madrid in a performance of oratorio, and at the close of
1807 set out for Paris.
Soon after his arrival in the French capital he had an opportunity of
making his _début_, for on February 11 he appeared in Paër's "Griselda."
How bold a stroke this was may be realised from the fact that, apart
from his never having properly studied singing up to this time, he had
not yet sung in Italian.
The applause of Napoleon in the French capital proved to be no less
enthusiastic than had been that of Charles IV. in Madrid--indeed, so
great was the tenor's success that he was appointed to the post of
_directeur du chant_ in less than three weeks, as well as becoming the
leading tenor at the Théâtre Italien.
The following month brought with it the birth of his first daughter,
Maria Felicita, who was destined to become famous under the name of
Malibran. Some ten months later the mono-drama, "El Poeta Calculista"
was given in Paris for the first time, on the occasion of the elder
Garcia's benefit. Its reception may be judged from the fact that the
performance of the operetta had to be interrupted for several minutes,
so greatly was the singer fatigued by the constant ovations and
insistent demands for encores. The success which he achieved during this
first season in Paris laid the foundation of a world-wide fame.
Now, when Señor and Señora Garcia left Spain at Christmas 1807, they
decided that it would be best not to take with them so young a child as
Manuel then was, and accordingly he was left behind in Madrid with his
grandparents, in whose charge he remained until his tenth year. This
resulted in his passing through some historic scenes, by the memories of
which, in his old age, he formed a link with the past which seemed
wellnigh incredible.
Those were years of war and bloodshed, for, during his childhood, Spain
was convulsed first by the throes of the Napoleonic invasion, and then
by the successive campaigns of the Peninsular War.
Let us take a glimpse of the swift march of events, of which he must
have not only heard reports, but in many cases been the actual witness
during his sojourn in Madrid.
First, however, we will try to get some idea of the Spanish capital as
it was in the early years of the nineteenth century.
Public-domain text, read in full here on John Shaqi.
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