Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
A few days before the date fixed for the production, he found that only
£30 worth of seats had been taken. Then came a Napoleonic scheme. He
announced at once four successive performances, and gave the astounding
instructions at the office that for the first three out of these four
not one place was to be sold beyond those already taken. The rest of the
tickets he took home in a carpet-bag and distributed far and wide over a
gigantic free list. At the same time he advertised in 'The Times' that,
in consequence of a death in the family, two stalls for the first
representation of "Faust"--the opera which was exciting so much interest
that all places for the first three representations had been bought
up--could be had at 25s. each.
Meanwhile demands had been made at the box-office for places, and the
would-be purchasers were told that everything had gone up to the fourth
night: this they repeated to their friends, and the opera began to be
seriously talked of. The first performance was received with applause,
the second still more warmly, and the third gained additional favour. No
further device was necessary for stimulating curiosity: the paying
public flocked, and it was given for ten nights in succession, after
which it was constantly repeated until the termination of the season.
The following was the cast of the _première_ at Her Majesty's:--
_Marguerite_ Tietjens.
_Siebel_ Trebelli.
_Faust_ Giuglini.
_Mephistopheles_ Gassier.
_Valentine_ Santley.
Not to be outdone, Gye at once produced his own version at Covent
Garden, with Carvallo as _Marguerite_, her old part in the original
Paris production, Didier as _Siebel_, Faure as _Mephistopheles_,
Graziani as _Valentine_, and Tamberlik as _Faust_.
The year is also noteworthy for the fact that Pauline Lucca made her
_début_ as Valentine in the "Huguenots," while Mdlle. Artot, the pupil
of Mme. Viardot, also made her first appearance here.
With 1864 (in which Meyerbeer passes away) we find the Italian Opera
Company including Patti, Lucca, Tamberlik, Faure, Graziani, Mario, and,
of course, Costa, with an interesting addition at the organ in Arthur
Sullivan; while to the younger generation, at any rate, a strange
realisation of those bygone days is given by the announcement of a gala
performance to Garibaldi.
At Her Majesty's there is an interesting _première_, the first
performance of "Faust" in English, with the following cast:--
_Marguerite_ Mme. Lemmens-Sherrington.
_Siebel_ Mme. Lucia.
_Mephistopheles_ M. Marchesi.
_Valentine_ Mr Santley.
_Faust_ Mr Sims Reeves.
Public-domain text, read in full here on John Shaqi.
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