Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and ScienceMackinlay, M. (Malcolm) Sterling
History
Garcia the Centenarian and His Times: Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science
The next year brings the production of Meyerbeer's "L'Africaine" at
Covent Garden, and of Gounod's "Mock Doctor" by the Royal English Opera
Company. At Her Majesty's, moreover, Ilma di Murska makes her first
appearance as Lucia, and Giuglini is obliged to give up the season there
through illness; while among the operatic stars of the year we find
Wachtel, Graziani, Ronconi, and Mario.
1866 sees the _début_ at Covent Garden of Carlotta Patti, coming with a
considerable reputation as a concert singer; while among the artists of
the season are Naudin, and Nicolini, who afterwards married Adelina
Patti. At Her Majesty's, the company includes Gordoni, Santley, Gassier,
Tietjens, and Grisi, who is announced for a limited number of
performances; while the Irish basso, Foley, makes a hit in "Il Seraglio"
under the Italianised nomenclature, "Signor Foli."
Next year, in which the death of Sir George Smart is chronicled, Covent
Garden announces--on July 11--the first production of Gounod's "Romeo et
Juliette" in an Italian version, with Mario and Patti in the
title-_rôles_. At the rival house Mapleson has collected a fine company
in Tietjens, Sinico, Gassier, Santley, Gordoni, Mongini, and two
_débutantes_, Clara Kellogg, fresh from her American triumphs, and
Christine Nillson, who makes her first appearance in "Traviata."
On December 6 a terrible calamity occurred in the London musical world,
with the burning down of Her Majesty's Theatre. At the beginning of the
month, during a rehearsal of "Fidelio," Mapleson's insurance-agent
called to complete the insurance of the house. Colonel Mapleson agreed
to insure for £30,000; but as the costumier's list was not at hand, and
the costumier himself was out at dinner, the agent suggested that the
manager should give him £10 "on account," and thus keep the matter open
till the following Monday, when he--the agent--would call again.
Mapleson replied, jokingly, "There is no fear," and the agent left
without the advance.
At half-past eleven the same evening Mapleson, who was dining in St
John's Wood, was called by an excited servant to look out of the window,
and saw the sky red in the distance. Her Majesty's Theatre was on fire!
The manager hurried to the scene of the conflagration, and found the
house in full blaze. Without a moment's delay he despatched Mr Jarrett,
his acting-manager, to Mr F. B. Chatterton, then the lessee of Drury
Lane, to endeavour to secure that theatre from March till the end of
July. It was of great importance that the emissary should reach
Chatterton, who lived at Clapham, before that astute manager could learn
of the fire; for had he been aware of Mapleson's extremity, he would, of
course, have raised his terms accordingly.
Public-domain text, read in full here on John Shaqi.
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