Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartisticRobinson, W. (William)
General
Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
Robinson, W. (William)
Blomfield, Reginald Theodore, Sir, 1856-1942. Formal garden in England; Landscape gardening; Sedding, John D. (John Dando), 1838-1891. Garden-craft old and new
Not one word of the swift worker, Time! Its effect on gardens is one
of the first considerations. Fortress-town, castle, and moat all without
further use! In old days gardens had to be set within the walls; hence,
formal in outline, though often charming inside. To keep all that
remains of such should be our first care; never to imitate them now!
Many old gardens of this sort that remain to us are far more beautiful
than the modern formal gardening, which by a strange perversity has been
kept naked of plants or flower life! When safety came from civil war,
then came to us the often beautiful Elizabethan house, free of all moat
or trace of war. At one time it was rash to make a garden away from the
protecting walls. Now, any day in a country place beautiful situations
may be found for certain kinds of gardens far away from the house, out
of sight of it often.
[Illustration: _Arundel Castle. Example of situation in which a certain
amount of terracing is essential. This does not necessarily mean that
the vegetation around should be in formal lines, as much better and more
artistic effects are obtained otherwise_]
Again, in the home fighting days there was less art away from the home.
Rugged wastes and hills; vast woodland districts near London; even small
houses moated to keep the cattle from wolves--fear of the rough hills
and woods! In those days an extension of the decorative work of the
house into the garden had some novelty to carry it off, while the kinds
of cultivated trees and shrubs were few. Hence if the old gardeners
wanted an evergreen line, hedge, or bush of a certain height, they
clipped an evergreen tree into the size they wanted. Notwithstanding
this we have no evidence that anything like the geometrical monotony
often seen in our own time existed then. To-day the ever-growing city,
pushing its hard face over the once beautiful land, should make us wish
more and more to keep such beauty of the earth as may be still possible
to us. The horror of railway embankments, where were once the beautiful
suburbs of London, cries to us to save all we can save of the natural
beauty of the earth.
[Illustration: Tailpiece]
TRUE USE OF A GARDEN
It is surely flying in the face of Nature to fill our gardens with
tropical plants, as we are urged to do by the writers on landscape
gardening, ignoring the entire difference of climate and the fact that
a colour which may look superb in the midst of other strong colours
will look gaudy and vulgar amongst our sober tints, and that a leaf
like that of the Yucca, which may be all very well in its own country,
_is out of scale and character_ amidst the modest foliage of our
English trees. (_The Formal Garden._)
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