Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartisticRobinson, W. (William)
General
Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
Robinson, W. (William)
Blomfield, Reginald Theodore, Sir, 1856-1942. Formal garden in England; Landscape gardening; Sedding, John D. (John Dando), 1838-1891. Garden-craft old and new
_These books are made up in great part of quotations from old books on
gardening--many of them written by men who knew books better than
gardens. Where the authors touch the ground of actuality, they soon show
little acquaintance with the subject; and, indeed, they see no design at
all in landscape gardening and admit their ignorance of it. That men
should write on things of which they have thought little is unhappily of
frequent occurrence, but to find them openly avowing their ignorance of
the art they presume to criticise is new._
_A word or two on the state of architecture itself may not be amiss.
From Gower Street to the new Law Courts our architecture does not seem
to be in a much better state than landscape gardening is, according to
the architects to whom we owe the "Formal Garden" and "Garden Craft"! It
is William Morris--whose "design" these authors may respect--who calls
London houses "mean and idiotic rabbit warrens:" so that there is plenty
to do for ambitious young architects to set their own house in artistic
order!_
_As regards "formal gardening," the state of some of the best old
houses in England--Longleat, Compton-Wynyates, Brympton, and many
others, where trees in formal lines, clipped or otherwise, are not seen
in connection with the architecture--is proof against the need of the
practice. As regards the best new houses, Clouds, so well built by Mr.
Philip Webb, is not any the worse for its picturesque surroundings,
which do not meet the architect's senseless craving for "order and
balance"; while Batsford, certainly one of the few really good new
houses in England, is not disfigured by the fashions in formality the
authors wish to see revived, and of which they give an absurd example in
a cut of Badminton. There is, in short, ample proof, furnished both by
the beautiful old houses of England and by those new ones that have any
claim to dignity, that the system they seek to revive could only bring
costly ugliness to our beautiful home-landscapes._
W. R.
July 1, 1892.
CONTENTS
PAGE
GARDEN DESIGN 1
NATURAL AND FALSE LINES 5
"UNCULTIVATED NATURE" 8
THE TRUE LANDSCAPE 13
BUILDINGS IN RELATION TO THE GARDEN 16
TIME AND GARDENS 20
TRUE USE OF A GARDEN 23
FORMAL GARDENING 25
"NATURE," AND WHAT WE MEAN BY IT 31
"ALL OUR PATHS" ARE CROOKED! 35
"THE ONLY GARDEN POSSIBLE!" 40
"NO DESIGN IN LANDSCAPE" 43
Public-domain text, read in full here on John Shaqi.
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