Fantasy fiction, French -- Translations into English; Gargantua (Legendary character) -- Fiction; Giants -- Fiction
The edition published by Didot in 1857 has an altogether special character.
In the biographical notice M. Rathery for the first time treated as they
deserve the foolish prejudices which have made Rabelais misunderstood, and
M. Burgaud des Marets set the text on a quite new base. Having proved,
what of course is very evident, that in the original editions the spelling,
and the language too, were of the simplest and clearest, and were not
bristling with the nonsensical and superfluous consonants which have given
rise to the idea that Rabelais is difficult to read, he took the trouble
first of all to note the spelling of each word. Whenever in a single
instance he found it in accordance with modern spelling, he made it the
same throughout. The task was a hard one, and Rabelais certainly gained in
clearness, but over-zeal is often fatal to a reform. In respect to its
precision and the value of its notes, which are short and very judicious,
Burgaud des Marets’ edition is valuable, and is amongst those which should
be known and taken into account.
Since Le Duchat all the editions have a common fault. They are not exactly
guilty of fabricating, but they set up an artificial text in the sense
that, in order to lose as little as possible, they have collected and
united what originally were variations--the revisions, in short, of the
original editions. Guided by the wise counsels given by Brunet in 1852 in
his Researches on the old editions of Rabelais, Pierre Jannet published the
first three books in 1858; then, when the publication of the Bibliotheque
Elzevirienne was discontinued, he took up the work again and finished the
edition in Picard’s blue library, in little volumes, each book quite
distinct. It was M. Jannet who in our days first restored the pure and
exact text of Rabelais, not only without retouching it, but without making
additions or insertions, or juxtaposition of things that were not formerly
found together. For each of the books he has followed the last edition
issued by Rabelais, and all the earlier differences he gives as variations.
It is astonishing that a thing so simple and so fitting should not have
been done before, and the result is that this absolutely exact fidelity has
restored a lucidity which was not wanting in Rabelais’s time, but which had
since been obscured. All who have come after Jannet have followed in his
path, and there is no reason for straying from it.
FRANCIS RABELAIS.
THE FIRST BOOK.
To the Honoured, Noble Translator of Rabelais.
Public-domain text, read in full here on John Shaqi.
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