Fantasy fiction, French -- Translations into English; Gargantua (Legendary character) -- Fiction; Giants -- Fiction
Being of this age, his father ordained to have clothes made to him in his
own livery, which was white and blue. To work then went the tailors, and
with great expedition were those clothes made, cut, and sewed, according to
the fashion that was then in request. I find by the ancient records or
pancarts, to be seen in the chamber of accounts, or court of the exchequer
at Montsoreau, that he was accoutred in manner as followeth. To make him
every shirt of his were taken up nine hundred ells of Chasteleraud linen,
and two hundred for the gussets, in manner of cushions, which they put
under his armpits. His shirt was not gathered nor plaited, for the
plaiting of shirts was not found out till the seamstresses (when the point
of their needle (Besongner du cul, Englished The eye of the needle.) was
broken) began to work and occupy with the tail. There were taken up for
his doublet, eight hundred and thirteen ells of white satin, and for his
points fifteen hundred and nine dogs’ skins and a half. Then was it that
men began to tie their breeches to their doublets, and not their doublets
to their breeches: for it is against nature, as hath most amply been
showed by Ockham upon the exponibles of Master Haultechaussade.
For his breeches were taken up eleven hundred and five ells and a third of
white broadcloth. They were cut in the form of pillars, chamfered,
channelled and pinked behind that they might not over-heat his reins: and
were, within the panes, puffed out with the lining of as much blue damask
as was needful: and remark, that he had very good leg-harness,
proportionable to the rest of his stature.
For his codpiece were used sixteen ells and a quarter of the same cloth,
and it was fashioned on the top like unto a triumphant arch, most gallantly
fastened with two enamelled clasps, in each of which was set a great
emerald, as big as an orange; for, as says Orpheus, lib. de lapidibus, and
Plinius, libro ultimo, it hath an erective virtue and comfortative of the
natural member. The exiture, outjecting or outstanding, of his codpiece
was of the length of a yard, jagged and pinked, and withal bagging, and
strutting out with the blue damask lining, after the manner of his
breeches. But had you seen the fair embroidery of the small needlework
purl, and the curiously interlaced knots, by the goldsmith’s art set out
and trimmed with rich diamonds, precious rubies, fine turquoises, costly
emeralds, and Persian pearls, you would have compared it to a fair
cornucopia, or horn of abundance, such as you see in antiques, or as Rhea
gave to the two nymphs, Amalthea and Ida, the nurses of Jupiter.
Public-domain text, read in full here on John Shaqi.
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