Aubrey smiled, recovering a superiority toward her. But his heart grew
heavy almost simultaneously. She had thrown her arms about him and was
exclaiming, "Oh, I'm so glad. I'm so glad you're writing again, Aubrey
darling. I've wanted you to so much."
He pushed her away slowly. She stood pouting.
"Now I can see where I take a back seat," she sighed. "Yes sir, you
won't have time for me at all. But I don't care. As long as you're
happy, darling, I'm delighted. I want you to be happy and I know it
makes you happy to write."
When she left the room Aubrey remained frowning after her. He would
surprise her. He would surprise them all. He would publish the
manuscript under his own name. It would create a sensation. It would
bring him back in the public eye more glorified than he had been in his
literary heyday.
In a few days the idea had grown to obliterating proportions. For a
time he abandoned the contemplation of the inner Aubrey--the
gleaming-eyed Thunderer. This other was nearer reality--an Aubrey hymned
as a rejuvenated literary figure. But he hesitated. His indecision
resulted in a predicament. He had been boasting cautiously of his new
work, letting out hints as to its character. There was Cressy, a
literary critic and a member of the club where he lunched. He had talked
to him about it.
"I'm surprised myself," he explained. "I was rather uncertain whether I
could come back. But the rest was evidently just what I needed. The book
isn't at all in my old style. More direct, sincere and entirely simple.
You'll like it."
Cressy became important in Aubrey's predicament. Cressy was a man whom
Aubrey identified as "the more discriminating public." He yearned for
the approval of this public. And as his decision to have his father's
manuscript printed under his own name grew, Aubrey sought the critic
out. It was pleasant to boast to Cressy, to feel oneself part of the
superior literary world Cressy inhabited.
Cressy had left the university with the determination to write. He had,
however, developed into a scholar, using a knowledge of Greek and Latin
to acquire a baggage of classical erudition. For ten years he had been
contributing literary essays to magazines and newspapers. In these he
wagged his head sorrowfully over the decline of letters. He presented an
impregnable front to all new writers. The names of new novelists in the
book lists irritated him precisely as the names of new celebrities in
the society columns had once irritated Mrs. Basine. He resented them as
intruders and focused a pedantic wrath on them.
Public-domain text, read in full here on John Shaqi.
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