In his own mind he pictured himself as being in a continual state of
revolt against the inferiority of modern literature. His attacks,
however, were entirely a defensive gesture. His literary point of view
was inspired by a heroic desire to annihilate contemporary literature.
Contemporary books were an insult and a barrier to his egoism. He
battled against them. His struggle was the quixotic effort to assert the
superiority of his erudition. New novels, new poetries, new philosophies
were a conspiracy to minimize him and he went after them with the zeal
of one engaged in tracking criminals to their lair.
At forty-five he was a stern-faced man with a greying mustache, heavy
glasses behind which gleamed indignant eyes. He was impressive looking.
People who never read his fulminations still felt a high regard for his
scholarship. He was fearless in the pronunciation of French, Latin and
Greek names and invariably functioned as arbiter in all disputes
concerning classical quotations and allusions.
His friendship with Aubrey was based chiefly on the certainty he felt
that Aubrey was an inferior writer. He was not part of the conspiracy
aimed at the minimization of Cressy, the scholar.
"Well, I'm glad to hear that, Aubrey," he congratulated his friend.
"Very glad. Writing is a delight few people understand these days."
"I know. And I think you'll be interested particularly, John, because
the story is of Elizabethan England. I've modeled the technique on
Apuleius and the other later Roman tale-tellers."
"Indeed!" Cressy bristled. "That should be interesting."
"I'd like to have your opinion of it, John. I've always valued what you
say, but this time more than ever. Because I feel I've entered your
field and you're guarding the fences and all that."
Cressy's face relaxed. Quite right. His field. And if the book was any
good he could leap forward as its authentic champion and through it
denounce the base modernism of the day. But how did Aubrey who was a
superficial dabbler come by Elizabethan England?
Aubrey promised to produce the manuscript within a few days and left the
club. A July sun hammered at the streets. The heat added to his inward
discomfort. It was too hot to think. Yet it was necessary to think.
Something was piling up and unless he thought it out clearly, it would
fall on him.
He had made up his mind to publish his father's manuscript as his own.
But in the weeks that had passed he had become aware that he was not
going to carry out his intention. There were things that kept him from
it. A morbid sense that his father was watching him had grown in his
mind. He was afraid. At night in bed he conducted himself with a
scrupulous politeness toward his wife, certain that his every action was
being observed by his father.
Public-domain text, read in full here on John Shaqi.
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