Basine, whistling and waiting for his companion to emerge on Madam
Minnie's doorstep, regarded the scene about him with the hardened moral
indifference of youth. It was growing warm. The May sun was striding, an
incongruous, provincial virgin, through a litter of blowzy streets.
Under its mocking light the rows of bawdy-houses and saloons suffered
an architectural collapse. Walls, windows, roofs and chimneys leered
tiredly at each other. The district seemed indeed an illustration for a
parable of Vice and Virtue drawn by the venomously partial pen of some
unusually half-witted cleric--dirty-faced brothels, tousled café signs,
bleery sidewalks, toothless storefronts all cowering before the rebuke
of God's sun.
A few mysterious solitaries lent a vague life to the scene. The figure
of a drunk, unchastened, zigzagging humorously down the pavement like
some nocturnal clown prowling after a vanished Bacchanal. A hastily
dressed prostitute carrying her night's earnings as an offering to early
devotion. A few unseasoned revellers overcome with a nostalgia for clean
bathrooms and Sunday morning waffles at the family board, sleepily
fleeing the scenes of their carouse.
All this formed no part of the preoccupations of the whistling one. He
was waiting for his companion and for the fifteenth time the tune of
"Bill Bailey" came softly from his lips. The companion appeared, a
crestfallen young man of twenty-three, Hugh Keegan by name. An idiotic
wistfulness marked the blond vacuity of his face. They said nothing and
walked to the street car track.
Here they must wait. There was no car in sight. Basine employed the
wait, jumping out from the curbing and peering with a great show of
interest down the deserted tracks. The night's dissipation had left him
perversely elate. His vanity demanded that he confound the scenes of his
recent moral collapse by exhibitions of undiminished vigor of body and
gayety of mind. So he capered back and forth between the curb and the
deserted tracks, ostentatiously unbuttoning his coat to the chill of the
dawn and addressing brisk, cheerful sallies to his penitent friend.
It was this way with Basine. He had spent the night in sin. Now he must
act as if he had not spent the night in sin. It was a matter of
deceiving his conscience, and Basine's conscience did not live in
Basine. It was, to the contrary, a mysterious external force, something
quite outside him.
He eyed the virtuous hallelujahs of the sunrise with a somewhat
over-emphasized aplomb. Dimly he felt that a God was articulating in
dawns and sunbeams. As long as he had continued his whistling, these
facts had remained concealed. But now he had grown tired of "Bill
Bailey" and at once God, peering out of his beautiful rosy heaven was
saying, "Shame on you." Everything seemed to be waiting to repeat this
banal reproof.
Public-domain text, read in full here on John Shaqi.
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