The crowd.... It was blind to itself. Its many eyes peered bewilderedly
about. Its many legs moved in a thousand directions. And yet it was
identical. Faces, different shaped bodies, different colored
suits--these were part of a mask. Sentences that drifted in the night,
laughters, sighs--these were part of a mask. Under the clothes, faces,
names, talk of people, was a real one--the crowd. It had no brain.
And yet this creature that moved in the street below, in all streets
everywhere, made laws, made wars, and mumbled eternally the dark secrets
of its soul. The crowd ... a monstrous idiot that devoured men, reason
and beauty. Now it moved with a purr through the street. It was going
somewhere, making love, making plans, diverting itself with little
hopes. Its passions and its secrets slept. It moved like a great
somnambulist below her window, with a fatuous complacency in its dead
eyes. Its many masks disported themselves in the night air. But let
hunger or fear, let one of the inscrutable impulses awake it, and see
what happened. Ah! Communes, terrors, rivers of blood, heads on spikes,
torture and savagery!
She must tell this all clearly to him, explain lucidly to him how the
hero-crowd of his singing was a gruesome and stupid criminal blind to
itself and afraid of itself and inventing laws to protect it from
itself. How it was a formless thing with hungers and desires moulded in
the beginning of Time. How it demanded proofs of itself that the
darkness of its brain and the savagery of its heart were the twin Gods
from whom all wisdom and justice flowed. How the workers, the defeated
ones, the under dogs he sang of and loved were like the others--lesser
masks envying superior masks. And how the idealisms, Gods and hopes they
all worshipped were lies the beast whispered to itself, fairy tales by
which the beast consoled itself. Yes, a monster that devoured men who
threatened its consolations, a wild fanged beast purring eternally in
the path of progress. Reason was a little cap the masks wore that every
wind blew off. Her loneliness faded. Seated by her window Doris no
longer desired the lips of her lover. There was another elation ... a
knowledge of the thing in the street, a certainty that she could make
Lief Lindstrum understand.
One evening when he had returned to her after an absence of a month she
decided to talk calmly to him of the things she had been thinking. He
came in with an air of caution, that frightened her for an instant. She
studied him as he took off his coat and hat and sat down. It was autumn
outside. Dark winds seemed to have followed him in. This was an old
trick of his that had once thrilled her. He seemed always to have come
from far-away places, to have risen out of depths with secrets in his
eyes. Her heart yielded as she watched him. There was the quality about
him she could never resist, the thing her senses clamored for. Not that
he wrote poetry--but that he was a poet.
Public-domain text, read in full here on John Shaqi.
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