French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
It was one of those glorious days of the English springtide when life
seems endurable even to the hapless, grateful even to the invalid. A
bland breeze rustled the branches of the grand old trees which in double
rows framed the open square. Several children were at play upon the
spacious grass-plot, which was intersected by diagonal paths of yellow
sand. The square was silent, and slept in the voluptuous warmth of the
perfect afternoon; but from the north side came the bustle and confusion
that resembled the turmoil of some festival. It was the continuous din
of the two tides of life which here meet and cross each other, the one
surging from Covent Garden and Chancery Lane, the other from Piccadilly
and St. James's. Pedestrians and horsemen, coaches and sedan chairs,
went to make up a glittering, varied hodgepodge, amidst which
flower-girls and newsboys fought their way, together with the venders of
"hot buns." Gentlemen saluted with exaggerated gesture, pressing their
cocked hats to their breasts and affectedly inclining their heads
towards their right shoulder; while the ladies fluttered their fans and
nodded the edifices of flowers and feathers which served in lieu of a
head-dress. The intoxicating odor of iris powder, of benzoin, bergamot,
and patchouli floated upon the air. The beggars leaning against the
railing of the square and the Irish chairmen indolently smoking their
pipes, for whom life is but a spectacle, watched the passage of others'
happiness. A bright, genial sun polished the flanks of the plaster horse
in the centre of the square, upon which rode a prince of the House of
Hanover. It shone upon the head of the gilded cock which served as sign
to Hogarth's old shop, flamed upon the windows of Newton's sham
observatory, glistened upon the roofs, played along the line of
coaches, set tiny mirrors upon the harnesses of the horses, glittered in
the diamonds in the women's ears, and on the swords that clattered
against the men's legs, set a spangle here or a spark there, and bathed
all things in a blaze of light and joy.
Meanwhile a lackey in a livery embroidered in silver had opened the door
to the two women.
"Sir Joshua Reynolds?"
The lackey hesitated, but at the moment Ralph, the painter's
confidential man, appeared upon the steps.
"Miss Woodville?" he inquired in his turn.
"Yes," replied the girl.
"Be good enough to follow me, Miss Woodville"; adding with a smile, "You
are prompt."
"It is the custom of the theatre. Lean upon my arm, aunt."
At this moment Miss Woodville was saluted with a "good-morning" uttered
by so strange, so guttural, so piercing a voice that she involuntarily
started.
"Don't be alarmed," said Ralph; "it is the bird."
"What bird?"
"Sir Joshua's parrot. He was in the courtyard, but had to be removed to
the dining-room because he fought with the eagle."
"An eagle! a parrot! Pray what are they doing here?"
Public-domain text, read in full here on John Shaqi.
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