"I was given a sort of chamber in the garret, which I still occupy; and from that day I led the life of those by whom I was surrounded. Living from morning till evening amidst painting and designing, the desire to try my hand came to me. I armed myself with a bit of chalk and a slate. Sir Joshua surprised me in the midst of my occupation, and when I made an attempt to conceal my sketch, he remarked: 'Do you know upon what and with what I made my first picture? Upon a scrap of sail-cloth and with a pot of paint which had been left upon the strand at Plympton by the boat-painter.' He looked at my sketch, and the result of his examination was that he sent me to the Royal Academy, which had recently been opened. There I sketched the faces of all the young women who represented Dido or Ariadne. My companions blew peas at them until they made them cry. Then they would clap their hands and pretend that they had given the models the desired expression. I did not know what they meant, but when I had filled my sketch-book to the very last page with Didos and Ariadnes, I respectfully confessed to Sir Joshua that I had much rather paint trees, flowers, grass, and, more than all, water. My dear, great river, where I had lived so long, the ever-changeful home of my infancy!--I am never weary of depicting it, by turns dull as a leaden disk, brilliant as a mirror of burnished steel, now ruffled and agitated, now radiant and peaceful, little rural stream that it is at Hampton Court, arm of the sea at Gravesend, with its perspectives, its shore life, the ships which fleck its surface, and the seafarers it bears upon its bosom." [Illustration] "Then," inquired Esther, "am I to understand that you are happy?" The young man lowered his eyes and was silent for a moment. "I am," he answered, "profoundly grateful to my master for all his kindness, for the friendship which every one testifies for me, and for the interest which such men as Mr. Burke and Dr. Johnson take in my studies. But can I be wholly happy? Nothing can replace the affection of a mother,--unless it be that of a wife. There is a void in my heart. Will it ever be filled?" So humble, so penetrating was the accent of the poor, lonely fellow at this moment that Esther was more deeply moved than she had been by the recital of his boyish sufferings. In her turn her eyes drooped as if, in the young man's words, something had particularly affected her. "Ah!" he murmured, "you are laughing at me now; but, since I began to speak and you deigned to listen to me, I have told you all. Now I am going to show you the one who, since my entrance into this house, has consoled and sustained me in the hours of discouragement and sadness." And taking her by the hand, he led Esther into his studio, before an unframed picture, from which he drew aside the drapery which covered it. "A portrait! A portrait of a woman!"