French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
The young man rose, his eyes still fixed upon Esther; then without a
word he directed his steps towards the masked door which had afforded
him access to the studio and vanished.
By slow degrees the blush which had invaded the girl's cheeks and brow
faded until not a vestige remained.
CHAPTER II.
A SUPPER AT SIR JOSHUA'S.
The company assembled in the Reynolds's drawing-room when the artist
entered, leading Miss Woodville by the hand, made such a palaver over
the young actress that it was quite enough to turn her head, had she not
already become accustomed to clamorous triumphs. She found herself in
the arms of three women at once, who emulously cajoled her, while the
men vied with them in paying flattering court. Despite her _aplomb_,
spoiled child that she was, she was becoming quite embarrassed in
responding to all the hand-pressures, the smiling eyes, the gracious
questions, when, fortunately for her, a footman announced supper; and
forthwith the company passed into the dining-room.
It was just five o'clock, and, being well aware of the rules of the
house, Sir Joshua's guests were all present, even in greater number than
was expected, as was frequently the case. On this account some little
confusion prevailed about the table, where each one seated himself
according to his fancy. There were not enough plates; one person
possessed a fork but no knife, while another was furnished with a knife
minus a fork: but at these gay, free-and-easy reunions such trifles were
passed over with a laugh. The master of the house, whose special delight
it was to chat with his guests, fluttered from one to the other,
ear-trumpet in hand, giving the entertainment not the slightest heed.
Miss Reynolds alone was in despair.
In point of fact, Miss Reynolds never appeared in any other attitude. A
genuine martyr was Miss Reynolds. Martyr to whom or what? It would be
difficult to explain. Following the example of her brother, she painted,
but, although she was the sister of a great artist, to her profound
surprise her pictures were detestable. Sir Joshua owned a great gilded
coach, upon the panels of which Hayman had painted the Seasons, but he
rarely availed himself of its comforts; instead, he obliged his sister
to drive out in it, and used to send her to the park "for the good of
her health." And the passers-by were astonished to see, shrinking in a
corner of the resplendent equipage, a woman who wept scalding tears. It
was Miss Reynolds, the everlasting martyr. Upon this particular occasion
she exerted herself to the last degree without producing the slightest
effect either upon her guests or her domestics.
Public-domain text, read in full here on John Shaqi.
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