Garside's Career: A Comedy in Four ActsBrighouse, Harold
General
Garside's Career: A Comedy in Four Acts
Brighouse, Harold
English drama -- 20th century
Peter. Marry me in the month as we arranged, and I'll go down on my
knees and ask your pardon.
Mar. I can't marry you in a month.
Peter. Then it's true. You don't love me. You don't believe in me.
Mar. I--I think I'll go home.
[_Exit Margaret right, returning quickly with her hat, which she puts
on. Peter watches her go and meets her as she returns._
Peter (_appealingly_). Margaret!
Mar. No, Peter. I can't do it.
Peter (_acquiescing_). Then--good-bye.
Mar. I shall see you often at the Committee Rooms. Don't tell me I
mustn't work for you.
Peter. If it was only for myself I wouldn't have your help at any
price. But, as you told us, you'll not be work-for me but for the cause.
(_Grandiloquently._) In the name of the cause I accept your help.
Mar. (_simply_). Thank you, Peter. I shall work hard. Good night, Mrs.
Garside.
[_Mrs. Garside makes no sign. Peter moves towards Margaret, checks
himself, and she goes out._
Mrs. G. That's a good job done.
Peter. Don't talk about it, mother, please.
Mrs. G. You can look higher than a school marm now you're going into
Parliament.
Peter (_distressed_). Please, please!
Mrs. G. (_cheerfully_). Oh, well, we'll have supper and chance it.
Peter. Have yours. I only want this end of the table. (_Collecting
paper, ink, and pen and sitting at right end of table._) I must do
something to forget.
Mrs. G. What are you doing?
Peter. Drafting my address. Hand me down that dictionary, will you?
(_Indicating hanging shelf._)
Mrs. G. (_getting large dictionary from shelf and putting on table near
him._) You don't want a dictionary. It's all there in that brain of
yours.
Peter. A dictionary's useful. People like to read long words. It looks
erudite, and costs nothing.
Mrs. G. They'll never understand dictionary words, Peter. (_Poking
fire._)
Peter. That doesn't matter. They'll be impressed. (_Dipping pen and
bending._) Don't disturb me while I write.
CURTAIN.
ACT II
_Ornate drawing-room in Sir Jasper Mottram's house. Centre is a large
window giving access to a balcony. It is, however, evening, and the
drawn curtains conceal the balcony. Door left. Light wall colouring
and carpet. Fireplace right. No fire. Chesterfield right centre. Light
arm-chairs left and left centre. Japanese screen before fireplace. Large
Japanese jar in left corner._
Public-domain text, read in full here on John Shaqi.
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