Chile -- History -- War of Independence, 1810-1824 -- Fiction; War stories
“Peneleo, wandering about uneasily, draped in his skins, sat down for a
moment near me growling his usual tale.
“‘Make an entrada--a hole. If make a hole, bueno. If not make a hole,
them vamos--we must go away.’
“After sunset I observed with surprise the Indians making preparations
as if for another assault. Their lines stood ranged in the shadows
mountains. On the plain in front of the fort gate I saw a group of men
swaying about in the same place.
“I walked down the ridge disregarded. The moonlight in the clear air of
the uplands was as bright as day, but the intense shadows confused my
sight, and I could not make out what they were doing. I heard voice
Jorge, artillerist, say in a queer, doubtful tone, ‘It is loaded,
senores.’
“Then another voice in that group pronounced firmly the words, ‘Bring
the riata here.’ It was the voice of Gaspar Ruiz.
“A silence fell, in which the popping shots of the besieged garrison
rang out sharply. They too had observed the group. But the distance
was too great, and in the spatter of spent musket-balls cutting up the
ground, the group opened, closed, swayed, giving me a glimpse of busy
stooping figures in its midst. I drew nearer, doubting whether this was
a weird vision, a suggestive and insensate dream.
“A strangely stifled voice commanded, ‘Haul the hitches tighter.’
“‘Si, senor,’ several other voices answered in tones of awed alacrity.
“Then the stifled voice said: ‘Like this. I must be free to breathe.’
“Then there was a concerned noise of many men together. ‘Help him up,
hombres. Steady! Under the other arm.’
“That deadened voice, ordered: ‘Bueno! Stand away from me, men.’
“I pushed my way through the recoiling circle, and heard once more that
same oppressed voice saying earnestly: ‘Forget that I am a living man,
Jorge. Forget me altogether, and think of what you have to do.’
“‘Be without fear, senor. You are nothing to me but a gun carriage, and
I shall not waste a shot.’
“I heard the spluttering of a port-fire, and smelt the saltpetre of the
match. I saw suddenly before me a nondescript shape on all fours like
a beast, but with a man’s head drooping below a tubular projection over
the nape of the neck, and the gleam of a rounded mass of bronze on its
back.
“In front of a silent semicircle of men it squatted alone with Jorge
behind it and a trumpeter motionless, his trumpet in his hand, by its
side.
“Jorge, bent double, muttered, port-fire in hand: ‘An inch to the left,
senor. Too much. So. Now, if you let yourself down a little by letting
your elbows bend, I will...’
“He leaped aside, lowering his port-fire, and a burst of flame darted
out of the muzzle of the gun lashed on the man’s back.
“Then Gaspar Ruiz lowered himself slowly. ‘Good shot?’ he asked.
“‘Full on, senor.’
“‘Then load again.’
Public-domain text, read in full here on John Shaqi.
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