Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces — John Shaqi
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
“Oct. 13. Rainy morning; cleared up to a lovely afternoon. Left
Southampton before twelve, for Salisbury. Turned out of the road, at the
village of Totting, and soon entered upon the skirts of the New Forest,
but saw no avenues there, no lovely forest-glades, rather forest-land,
than forest; but we had often rich woody views into the vale, near
Southampton on the right, and continual forests rising on the left; and
a few miles from Plaitford, came upon some of the sweetest scenery of
the New Forest. Upon a wild glade, touching effect of misty light,
beyond its gloom. Sometimes an opening in the near copses showed a
distant perspective of deep shade. About five miles from Salisbury, gain
the summit of a high ridge, and look at once upon a new and grander
ridge large and sharper hills rising to a great extent, with the vast
Cathedral and lofty spire of Salisbury in front. We had lingered so much
on our road, that as we entered Salisbury, a new moon gave us faintly
the shadow of its sublime Cathedral, with its pointed roofs and its
pinnacles and its noble spire. How could Mr. Gilpin prefer a tower to
it! Saw, as we passed, the moonlight shining through the windows of the
aisles and touching aslant the lofty spire, while the elms beside it
were in deep shade. Had entered the city by a deep Gothic gateway, and
saw others lighted up in perspective, in a street, out of which we
turned to our inn, the Antelope—a very good inn.
“Oct. 14. Went, in the rain, to the Cathedral; entered it just as the
organ and chaunt struck up; very fine, but not so solemn, as at
Canterbury. The church most light, beautiful and elegant; but it did not
affect me, like the solemn simplicity, the awful roofs and grand
perspective of Canterbury. The tone of the organ, too, very good, but
did not listen for its swelling and dying sounds, as through the vast
aisles of Canterbury; there is not space for them to roll in, and murmur
afar off, as there. Was much struck with the effigies of the dead, laid
out on each side of the great aisle, from pillar to pillar. Having been
brought by Mr. Wyatt from St. Mary’s Chapel, that terminates the choir,
they have been placed on a raised step, that seems indeed to have been
originally designed for them. The pillars of this Cathedral are in
Gothic clusters, not of the slender form, that afterwards prevailed,
but, as Mr. Gilpin says, “when Saxon heaviness first began to give way.”
Their effect is elegant. They are washed of a stone colour, as are the
walls and roofs; the last are without tracery, and are marked as if of
brick. The arches are obtusely pointed, having one narrow vein of open
work running near the outer edge, which gives lightness to them.”
After an attempt to visit Stonehenge, which was frustrated by a violent
storm, Mr. and Mrs. Radcliffe returned, in the leisurely manner which
they preferred, to London.
Public-domain text, read in full here on John Shaqi.
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