At the head of this room was placed a table, with a crucifix, an image of the Virgin, and two wax tapers, near which stood a silent sentinel with a drawn sword; another soldier was stationed at the door, with a fixed bayonet. In a corner of this darkened apartment was the pallet of Veneno; he was lying curled up like a snake, with a striped coverlet (the Spanish _manta_) drawn closely over his mouth, leaving visible only a head of matted locks, a glistening dark eye, rolling restlessly out of the white socket. On being approached he sprung up and seated himself on a stool: he was almost naked; a chaplet of beads hung across his exposed breast, and contrasted with the iron chains around his limbs:--Superstition had riveted her fetters at his birth, and the Law her manacles at his death. The expression of his face, though low and vulgar, was one which once seen is not easily forgotten,--a slouching look of more than ordinary guilt: his sallow complexion appeared more cadaverous in the uncertain light, and was heightened by a black, unshorn beard, growing vigorously on a half-dead countenance. He appeared to be reconciled to his fate, and repeated a few sentences, the teaching of the monks, as by rote: his situation was probably more painful to the spectator than to himself--an indifference to death, arising rather from an ignorance of its dreadful import, than from high moral courage: he was the Bernardine of Shakspere, “a man that apprehends death no more dreadfully than a drunken sleep, careless, reckless, and fearless of what’s past, present, and to come, insensible of mortality, and desperately mortal.” [Sidenote: EXECUTION OF A ROBBER.]