Next morning the triple tiers of the old balconies, roofs, and whole
area of the Moorish and most picturesque square were crowded by the
lower orders; the men wrapped up in their cloaks--(it was a December
morning)--the women in their mantillas, many with young children in
their arms, brought in the beginning of life to witness its conclusion.
The better classes not only absent themselves from these executions, but
avoid any allusion to the subject as derogatory to European
civilization; the humbler ranks, who hold the conventions of society
very cheap, give loose to their morbid curiosity to behold scenes of
terror, which operates powerfully on the women, who seem impelled
irresistibly to witness sights the most repugnant to their nature, and
to behold sufferings which they would most dread to undergo; they, like
children, are the great lovers of the horrible, whether in a tale or in
dreadful reality; to the men it was as a tragedy, where the last scene
is death--death which rivets the attention of all, who sooner or later
must enact the same sad part.[10] They desire to see how the criminal
will conduct himself; they sympathise with him if he displays coolness
and courage, and despise him on the least symptom of unmanliness. An
open square was then formed about the scaffold by lines of soldiers
drawn up, into which the officers and clergy were admitted. As the
fatal hour drew nigh, the increasing impatience of the multitude began
to vent itself in complaints of how slowly the time passed--that time of
no value to them, but of such precious import to him, whose very moments
were numbered.
[Sidenote: EXECUTION OF A ROBBER.]
Public-domain text, read in full here on John Shaqi.
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