But the life of Spaniards is uniform, and their sensations, not being blunted by satiety, are intense. Their bull-fight to them is always new and exciting, since the more the toresque intellect is cultivated the greater the capacity for enjoyment; they see a thousand minute beauties in the character and conduct of the combatants, which escape the superficial unlearned glance of the uninitiated. [Sidenote: PHILOSOPHY OF THE BULL-FIGHT.] Spanish ladies, against whom every puny scribbler shoots his petty barbed arrow, are relieved from the infliction of ennui, by the never-flagging, ever-sustained interest, in being admired. They have no abstract nor Pasiphaic predilections; they were taken to the bull-fight before they knew their alphabet, or what love was. Nor have we heard that it has ever rendered them particularly cruel, save and except some of the elderly and tougher lower-classed females. The younger and more tender scream and are dreadfully affected in all real moments of danger, in spite of their long familiarity. Their grand object, after all, is not to see the bull, but to let themselves and their dresses be seen. The better classes generally interpose their fans at the most painful incidents, and certainly show no want of sensibility. The lower orders of females, as a body, behave quite as respectably as those of other countries do at executions, or other dreadful scenes, where they crowd with their babies. The case with English ladies is far different. They have heard the bull-fight not praised from _their_ childhood, but condemned; they see it for the first time when grown up; curiosity is perhaps their leading feature in sharing an amusement, of which they have an indistinct idea that pleasure will be mixed with pain. The first sight delights them; a flushed, excited cheek, betrays a feeling that they are almost ashamed to avow; but as the bloody tragedy proceeds, they get frightened, disgusted, and disappointed. Few are able to sit out more than one course, and fewer ever re-enter the amphitheatre-- “The heart that is soonest awake to the flower Is always the first to be touched by the thorn.” Probably a Spanish woman, if she could be placed in precisely the same condition, would not act very differently, and something of a similar test would be to bring her, for the first time, to an English boxing-match. Be this as it may, far from us and from our friends be that frigid philosophy, which would infer that their bright eyes, darting the shafts of Cupid, will glance one smile the less from witnessing these more merciful _banderillas_. [Sidenote: SPANISH AMUSEMENTS.] CHAPTER XXIII. Spanish Theatre; Old and Modern Drama; Arrangement of Playhouses--The Henroost--The Fandango; National Dances--A Gipsy Ball--Italian Opera--National Songs and Guitars. [Sidenote: THE THEATRE.]