Gems of Divine Mysteries by Bahá’u’lláh Edition 1, (June 23, 2005) BAHA’I TERMS OF USE You have permission to freely make and use copies of the text and any other information ("Content") available on this Site including printing, emailing, posting, distributing, copying, downloading, uploading, transmitting, displaying the Content in whole or in part subject to the following: 1. Our copyright notice and the source reference must be attached to the Content; 2. The Content may not be modified or altered in any way except to change the font or appearance; 3. The Content must be used solely for a non-commercial purpose. Although this blanket permission to reproduce the Content is given freely such that no special permission is required, the Bahá’í International Community retains full copyright protection for all Content included at this Site under all applicable national and international laws. For permission to publish, transmit, display or otherwise use the Content for any commercial purpose, please contact us (http://reference.bahai.org/en/contact.html). CONTENTS Baha’i Terms of Use Introduction Gems of Divine Mystery [Frontispiece] The first page of the Javáhiru’l-Asrár, with an added note in Bahá’u’lláh’s own hand Javáhiru’l-Asrár Bahá’í World Centre BAHÁ’Í WORLD CENTRE COPYRIGHT © 2002 ALL RIGHTS RESERVED INTRODUCTION The decade-long exile of Bahá’u’lláh in ‘Iráq began under the harshest of conditions and at the lowest ebb in the fortunes of the Bábí Faith. It witnessed, however, the gradual crystallization of those potent spiritual forces which were to culminate in the declaration of His world-embracing mission in 1863. In the course of these years, and from the city of Ba_gh_dád, there radiated, Shoghi Effendi writes, “wave after wave, a power, a radiance and a glory which insensibly reanimated a languishing Faith, sorely-stricken, sinking into obscurity, threatened with oblivion. From it were diffused, day and night, and with ever-increasing energy, the first emanations of a Revelation which, in its scope, its copiousness, its driving force and the volume and variety of its literature, was destined to excel that of the Báb Himself.”(1) Among these early effusions of the Pen of Glory is a lengthy Arabic epistle known as the Javáhiru’l-Asrár, meaning literally the “gems” or “essences” of mysteries. A number of themes it enunciates are also elaborated in Persian—through different revelatory modes—in the Seven Valleys and the Book of Certitude, those two immortal volumes which Shoghi Effendi has characterized, respectively, as Bahá’u’lláh’s greatest mystical composition and His pre-eminent doctrinal work. Undoubtedly the Gems of Divine Mysteries figures among those “Tablets revealed in the Arabic tongue” which were referred to in the latter volume.(2)