Geneva: Painted by J. Hardwicke Lewis & May Hardwicke Lewis.; Described by Francis Gribble.Gribble, Francis Henry
History
Geneva: Painted by J. Hardwicke Lewis & May Hardwicke Lewis.; Described by Francis Gribble.
Gribble, Francis Henry
Geneva (Switzerland) -- Description and travel; Geneva (Switzerland) -- History
‘Yesterday,’ she writes, ‘I spent one of those days of emotion which do
not affect us the less because we ought to be getting used to them. The
people took up arms by order of the Committees of the Clubs. The gates
were shut, the cannon rumbled along the streets, screaming women leant
out of their windows to look. In the evening the town had that military
air which you have sometimes seen in it--the streets full of armed
citizens with flaming torches, patrols challenging the passers-by--and
all this lasted till two or three in the morning; whereas to-day,
everyone is at his shop, his café, or his office. And this tumultuous
day had been selected for the celebration of the memory of the most
peaceable of citizens--your uncle, Charles Bonnet.’
And so, amid such sorry scenes, the end approached. De Saussure sought
relief and health in travel. He took the waters at Plombières, but
without any good result, and died early in 1799, the great Cuvier
pronouncing his eulogy before the Institut de France.
CHAPTER XVI
MEN OF LETTERS
We have spoken of the literature of science. In the literature which is
an art, and an end in itself, Geneva never excelled; and if we look for
reasons, we can find several.
The first difficulty was with the language. French came to the
Genevans as a foreign tongue at a time when their men of learning
wrote Latin and their populace spoke a Savoyard patois; and, even to
the present day, few of them avoid a certain provincial awkwardness
in the handling of it. Anyone who wishes to see the proof has only to
compare the _Journal de Genève_ with the _Gil Blas_ or the _Figaro_.
The few stylists whom Geneva can claim have generally been of French
extraction, like Marc Monnier, or have lived abroad, like Rousseau
and Madame de Staël. A far more typical Genevan writer was Charles
Bonnet whose perplexing circumlocutions swamp his elevated sentiments
and effectively prevent his books from being read. There is also, of
course, Amiel; but even ‘Roulez, tambours’ is tolerably obvious; while
the trail of the _cliché_ lies even over that famous ‘Journal Intime’
which Mrs. Humphry Ward translated.
Public-domain text, read in full here on John Shaqi.
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