Genius in Sunshine and ShadowBallou, Maturin M. (Maturin Murray)
General
Genius in Sunshine and Shadow
Ballou, Maturin M. (Maturin Murray)
Literature -- Anecdotes
Dr. Johnson was so extremely short-sighted that writing, re-writing, and
correcting upon paper were very inconvenient for him; he was therefore
accustomed to revolve a subject very carefully in his mind, forming
sentences and periods with minute care; and by means of his remarkable
memory he retained them with great precision for use and final
transmission to paper. When he began, therefore, with pen in hand, his
production of copy was very rapid, and it required scarcely any
corrections. Boswell says that posterity will be astonished when they
are told that many of these discourses, which might be supposed to be
labored with all the slow attention of literary leisure, were written in
haste, as the moments pressed, without even being read over by Johnson
before they were printed. Sir John Hawkins says that the original
manuscripts of the "Rambler" passed through his hands, "and by the
perusal of them I am warranted to say, as was said of Shakespeare by the
players of his time, that he never blotted a line." Johnson tells us
that he wrote the life of Savage in six-and-thirty hours. He also wrote
his "Hermit of Teneriffe" in a single night. When we consider the amount
of literary work performed by Johnson, say in the period of seven years,
while "he sailed a long and painful voyage round the world of the
English language," and produced his dictionary, we must give him credit
for the most remarkable industry and great rapidity of production.
During these seven years he found time also to complete his "Rambler,"
the "Vanity of Human Wishes," and his tragedy, besides several minor
literary performances. No wonder he developed hypochondria. Burke was a
very slow and painstaking producer; it is even said that he had all his
works printed at a private press before submitting them to his
publisher.
Hume was more rapid, even careless with his first edition of a work, but
went on correcting each new one to the day of his death.[56] Macaulay,
in his elaborate speeches, did not write them out beforehand, but
_thought_ them out, trusting to his memory to recall every epigrammatic
statement and every felicitous epithet which he had previously forged in
his mind, so that when the time came for their delivery they appeared to
spring forth as the spontaneous outpouring of his feelings and
sentiments, excited by the questions discussed. Wendell Phillips
followed a similar method.
Public-domain text, read in full here on John Shaqi.
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