The sun was shining brightly on the garden of a pretty Gothic mansion
near the Thames, one glorious spring morning, about a week after the
Lollard exiles had sailed from the Yorkshire coast. The house seemed to
have fallen somewhat out of repair, and the garden looked as if a dozen
gardeners might find employment in putting it in order for the summer.
But still, nothing had an untidy aspect; there was rather a bright look
about it, as if it were trying to put the very best face possible on the
matter, and conceal the ravages of time by a veil of ivy and spring
flowers.
In one of the grassy paths, just where it divided to embrace a fallen
sun-dial, stood a group matching well with the surrounding scene. The
venerableness of the old mansion, the nobleness of the clinging ivy, and
the bright freshness of the flowers had each its counterpart in the
animate objects. The most prominent figure, perhaps, was that of an old
white war-horse in faded trappings, but still retaining a trace of his
former glories in the way he arched his neck and lifted his stiffened
limbs. Leading him by the bridle was a fine-looking, weather-beaten old
man, with somewhat of the old war-horse’s disposition, if one might
judge from the piercing eyes which looked out from under shaggy gray
brows, and the grim though kindly smile lighting up a face that would
have been handsome if it had not been for the deep scar of a sword-cut
which disfigured his brow and cheek. His smile was occasioned by the
merry sallies of a little child of some four or five summers who was
mounted on the horse’s back, but giving little heed to the management of
his steed, and rather intent on ornamenting him with the flowers with
which his lap was filled. He had thrown down his plumed cap on the
grass, that he might have more space to bestow his treasures, and the
sunbeams and the violets nestled together in the golden curls which the
wind was sweeping back from his broad white brow, and rolling in shaded
masses on his crimson velvet-dress. Two laughing blue eyes followed the
motions of a pair of fat baby hands, as they tried to twine some
primroses in the old charger’s stiff mane, where they were determined
not to stay, but kept dropping out as fast as he put them in, strewing
the ground beneath them.
Sometimes, when he found a prettier one than usual, he would hold it out
to a tall, noble-looking lady who walked at his side. "For you, mamma!"
he would say, and the lady would receive the child’s gifts in her hand,
but would not suffer him to put them in her hair. Her dress was that of
a widow; and her pale, sad face and abstracted look, as if she were
dwelling on a dreary past rather than a cheerful present, told that her
grief was still fresh in her mind. All the little one’s merry shouts
and loving speeches could only draw from her a faint, sad smile, that
vanished again almost as soon as it appeared.
Public-domain text, read in full here on John Shaqi.
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