American drama -- 20th century; Experimental fiction, American; Prose poems
Not much limping is in the back, not much limping is in the front, not
much limping is circular, a bosom, a candle, an elegant foot fall, all
this makes daylight.
_Single Witnesses._
(2). A blunder in a charger is blue. A high pocket not higher than the
wrist and the elbow, the pocket is not added.
A clutch, a real clutch is merry and a joke and a baby, a real clutch is
such a happy way. A real clutch is so soon worried so easily made the
same, so soon made so.
A real white and blue, blue and blue, blue is raised by being so and
more much more is ready. At last a person is safe.
_More witnesses._
Pile in the windows, freeze with the doors, paint with the ceiling, shut
in the floors, paint with the ceiling, paint with the doors, shut in the
ceiling, shut out the doors, shut in the doors, shut in the floors, shut
in the floors, shut in the doors.
_More Witnesses._
Put the patient goat away, put the patient boat away, put away the boat
and put it, the boat, put it, put away that boat. Put away the boat.
_Single Witnesses._
(3). An army of invincible and ever ready mustaches and all the same
mind and a way of winding and no more repertoire, not any more noise,
this did increase every day.
A moon, a moon, a darkness and the stars and little bits of eels and a
special sauce, not a very special sauce, not only that.
A wide pair that are not slippers, not a wide pair of slippers, not
pressed to be any of that in that particular but surely, surely, surely
a loan, surely every kind of a capital.
_More Witnesses._
A splendid little charles louis philip, a splendid spout of little cups
and colds, a splendid big stir, a splendid glass, a splendid little
splinter, a splendid cluster.
_Single Witnesses._
(4). Why should wet be that and cut, cut with the grass, why should wet
be that and clut with the purse, why should wet be wet and the wet that
wet. Why should wet be the time to class. Why should there be solemn
cuppings.
The lean bark, that is the round and intense and common stop and in
shouting, the left bark and the right bark and a belt, in that belt, in
no belt and a corset, in a belt and chores, in a belt and single
stitches, in more boys than enough, in all thin beer and in all such
eggs, in all the pile and in all the bread, in the bread, in the bread,
in the condition of pretty nearly saying that yesterday is today, and
tomorrow, tomorrow is yesterday. The whole swindle is in short cake and
choice cake is white cake and white cake is sponge cake and sponge cake
is butter.
_House to house._
Public-domain text, read in full here on John Shaqi.
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