American drama -- 20th century; Experimental fiction, American; Prose poems
(1). A habit that is not left by always screaming, a habit that is
similar to the one that made quiet quite quiet and made the whole plain
show dust and white birds and little plaintive drops of water, a habit
which brightened the returning butter fly and the yellow weed and even
tumbling, the habit which made a well choose the bottom and refuses all
chances to change, the habit that cut in two whatever was for the use of
the same number, the habit which credited a long touch with raising the
table and the hour glass and even eye glasses and plenty of milk, the
habit which made a little piece of cheese wholesome and darkness bitter
and clanging a simple way to be solemn, a habit which has the best
situation and nearly all the day break and the darkness a habit that is
cautious and serious and strange and violent and even a little
disturbed, a habit which is better than almost anything, a habit that is
so little irritating, so wondering and so unlikely is not more difficult
than every other.
(2). A change a real change is made by a piece, by any piece by a whole
mixture of words and likenesses and whole outlines and ranges, a change
is a butt and a wagon and an institution, a change is a sweetness and a
leaning and a bundle, a change is no touch and buzzing and cruelty, a
change is no darkness and swinging and highness, a change is no season
and winter and leaving, a change is no stage and blister and column, a
change is no black and silver and copper, a change is no jelly and
anything proper, a change is not place, a change is not church, a change
is not more clad, a change is not more in between when there is that and
the change is the kind and the king is the king and the king is the king
and the king is the king.
(3). Could there be the best almost could there be almost the most,
could there be almost almost, could there be the most almost. Could
there be the most almost, could there be the most almost, could there be
almost almost. Could there be almost, almost.
Can the stretch have any choice, can the choice have every chunk, can
the choice have all the choice, can the stretch have in the choice. Can
there be water, can there be water and water. Can there be water. Can
there be.
(4). A cousin to cooning, a cousin to that and mixed labor and a strange
orange and a height and a piece of holy phone and a catching hat glass
and a bit of undertaking. All this makes willows and even then there is
no use in dusting not in really redusting, not in really taking
everything away. The best excuse for shadows is in the time when white
is starched and hair is released and all the old clothes are in the best
bag.
_House to house._
A wet hurt and a yellow stain and a high wind and a color stone, a place
in and the whole real set all this and each one has a chin. This is not
a claim it is a reorganization and a balance and a return.
DO LET US GO AWAY
A PLAY
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account