American drama -- 20th century; Experimental fiction, American; Prose poems
There is no separation in majesty. Terms, lines, sections, extra
packing, nothing shows that confidence. All the same there is news. The
time to stay away is in vacation. Why is there no place chosen. The
answer is simple it consists in explaining that there has been given
the use of all that will be used. This does not show feeling.
A curtain is not crazy, it has no way of being crazy, it has hardly a
way of enraging a resemblance, it has no resurrection. Indeed the
chances are that when there is seen more astonishment than anything that
is placed it is very likely that the whole system will be not so much
estranged as devastated and yet supposing they do not mean that,
supposing they do say that it will be a success, supposing they do say
does that mean that oration is contradiction, it does not.
Just a word to show a kite that clouds are higher than a thing that is
smaller, just that word and no single silence is closer.
Suggest that the passage is filled with feathers, suggest that there are
all together, suggest that using boxes is heavy, suggest that there is
no feather, suggest all these things and what is result the result is
that everything gets put away.
All the silence is adequate to a rumble and all the silliness is
adequate to a procession and all the recitation is equal to the hammer
and all the paving is equal to summer. All the same the detaining most
is the reason that there is a pillar and mostly what is shocking is a
rooster. This is not so easily said. There is no occasion for a red
result.
Laugh, to laugh, all the same the tittle is inclinable. What a change
from any yesterday.
A period of singular results and no gloom such a period shows such a
rapid approach that there is no search in silence and yet not a sound,
not any sound is searching, no sound is an occasion.
A fine fan and a fine closet and a very fine handkerchief and quite a
fine article all these together shows where there has been plenty of
rebuke and plenty of expectation and plenty, plentifully reduction of
suspension, and so the season is the same and there is every corner.
No chance shows the rapidity of exchange, no chance and this which means
one is the same as any two halves and this is not outrageous, not a bit
outrageous it is simply the sign of splendor.
All the tempting and the chewing and the cloth all of it shows no sign
and no symbol it does not and that is no disgrace.
If standing is an illusion is it necessary to be pressed to bend in that
direction is it necessary and if it is necessary is it polite and if it
is polite is it urgent and if it is not urgent is it an impulse.
No question has so much disturbance as the principal reunion. This is
not so distinguished when there are no ties in the window. This is
completely changed, once there were none and now there are none. There
are no rebukes. A privilege is not painful. A recurrence is not
artificial.
Public-domain text, read in full here on John Shaqi.
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