American drama -- 20th century; Experimental fiction, American; Prose poems
There are enough of them and most of them are where the others of them
are. There are enough of them but certainly not too many of them,
certainly not, too many of them. There are many of them and most of them
are where the others of them are. They have a way of doing what they are
doing, they have a way of not doing what they are not doing. They have a
way of having some feeling about them that they are ones doing what they
are doing in the way that is a thing satisfying the desire of having
anybody do anything. They are ones that give to some feeling them a
feeling of knowing that they will not do in a way that is satisfying
anything they are doing. They are ones talking, they are ones doing
something, they are ones waiting quickly waiting very quickly waiting
for anything to be happening and easily going on with waiting, with
waiting for anything to happen, to not happen again. They are ones
talking and talking and they are ones quick in talking and waiting for
something to happen and they are ones who are not so quick, not quick
enough not to be slow ones, quite slow ones. They are ones very many are
seeing. There are very many of them. There are quite enough of them.
There are not too many of them. Certainly very many are pleased at their
being completely existing, certainly very many are completely pleased by
their being completely existing.
There are not too many of them. They have something growing on them,
some of them, a good many of them, and certainly very many others would
not be wanting such things to be growing out of them that is to say
growing on them. It makes them, those having such things, makes them
elegant and charming, makes them ugly and disgusting, makes them clean
looking and sleek and rich and dark, makes them dirty looking and fierce
and annoying.
They are not peculiar ones these, they are very many of them, they are a
kind of them, they are natural ones for any one to be knowing, there are
many kinds of this kind of them. They are talking, often talking and
they are doing things with pieces of them while they are talking and
they are then sounding like something, they are then certainly sounding
in a way that is a way that is a natural way for them to be sounding,
they are having noise come out of them in a natural way for them to have
noise come out of them. There are very many of them, not at all too many
of them. Very many hear them, quite enough hear them. There are not too
many of them not at all too many of them, they are talking, they are
moving their fingers and their arms and their hands then and they have
noises coming out of them and some are hearing them, quite a number hear
them and some like them, very many like them, very many tell about
liking them, some do not like them, some tell about not liking them.
Public-domain text, read in full here on John Shaqi.
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