American drama -- 20th century; Experimental fiction, American; Prose poems
These are ones liking being living. These are ones quite liking being
living. These are ones quite needing being living. These are ones quite
needing this thing quite needing being living. These are ones liking
being living. They are ones going on doing this thing going on liking
being living. These are ones quite liking doing this thing again and
again liking being living. They are needing this thing needing being
living. They are quite liking being living. They are liking being
living.
They are liking this thing, liking being living and they are doing this
thing they are being living and they are then not doing anything to be
liking the thing to be liking being living.
They are, all of them, being living, they are doing enough of this thing
so that any other one will be doing that thing, so that there will be
enough of them quite enough of them doing this thing, being living.
There are always enough of them doing this thing, being living. There
are always enough of them doing this thing enough so that there will be
enough of them doing this thing, doing being living. They are liking
this thing liking being living so that they can any of them be ones
being this thing being one liking being living. They are ones liking
being living, they are ones being such ones, all of them being such ones
any of them are being such ones, each of them are being such ones, any
of them are doing that thing are liking being living.
Any one is such a one and is warmly that thing, is completely warmly one
being living, one liking that thing. These are ones warmly being that
thing, quite warmly, entirely warmly being that thing and certainly any
other thing is a thing that can be too exciting, too wearing, too
destroying. These then are ones warmly liking, entirely warmly liking
being living and are being living and doing enough to have it that there
are enough of them certainly enough of them being living.
These then are ones almost needing being ones being living. They
certainly are ones completely doing anything, they certainly are ones
completely bringing any teaching to any needing any teaching to be
themselves doing quite enough living to be always going to be enough of
them to be warmly liking being living.
A SWEET TAIL (GYPSIES)
Curves.
Hold in the coat. Hold back ladders and a creation and nearly sudden
extra coppery ages with colors and a clean voice gyp hoarse. Hold in
that curl with a good man. Hold in cheese. Hold in cheese. Hold in
cheese.
Public-domain text, read in full here on John Shaqi.
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