American drama -- 20th century; Experimental fiction, American; Prose poems
A land is not more seen than a beefsteak and a beefsteak is wasted. All
the roast has a sale and all sale is varnish. The section that has the
twin set of notwithstanding are all suited with the linen, and more
camps are made to fit than there is hair on a peninsular. The reason is
so just that a question has that right and a belief is universal that is
to say there is no doubt of something.
Drafts are not dark nor is the sea and livelier are the seven months of
warning. All the perils are serene, and laughing is not stranger.
Piling for a witness means the boat and all the floating places are so
searched, tighter and more of the breathing there makes any swelling so
much simpler.
A plain tie makes a connection on Saturday and they are the first. They
have that reason, no one can oppose visiting, there is no use in
obtaining a station. Time to go away is October. That shows more winter
than weather. This does make a written reason.
A bloom on a red thing means that there is a single country. An apple
offered means that there is no disgrace. A single thing that has no
seeds means that there is land. A same joint and no appetite means that
there are no sandwiches.
Like the mantle and the light and the crackling underwear, like the
colors that are dark and the mixtures that are bright, like them all
there is no destruction, there is no analogy, there is a dislocation,
there is no disturbance.
Startling and true the same are few. The presence of many is acute. The
death of more is arduous. The relation of all that is in that language.
So simple a date makes no hard singing. If it is a wild cow it is tame.
The single hair shows the reason in a precise ham. It is a dinner. It is
leaning.
Kindling is wood and coal is tonny. That is the blame and a blower is
funny. The time comes to state that. There is seriousness.
Blame is not forecast it is a sunrise, how soon is there more shade than
light.
A bang is the sound of water, a simple string ties it together. It is so
struck that there is water, moisture has a sample of more. There is no
sympathy. There is no educator. If the width is more the wider is wider.
The width is not a wayside it is the block. There is the color soon.
There is no shade. Shadows are a sampler. There is no sampler. The width
is precious. It is wading in length. The wide angel has no wet winter.
It is not drained wetter.
Bursting no more and being the sample of more of it is not so much
simpler than it was. It was so sudden. It was suddenly so much more
safer. Then there came the same time and there is analysis, there is the
whole time and there is no more simplification than there is. There is
very much more. There is that there. There is there more than that.
There is.
Public-domain text, read in full here on John Shaqi.
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