American drama -- 20th century; Experimental fiction, American; Prose poems
No old jerks, no old news, all is wet and there is no time in a day.
Every day is not away. The morning is sooner. If the morning is sooner
then the habit is spread, it is spread and there is a whole row. Every
row has an earthquake, every ring has a color, every piece there is is
as different as it is when there is a comparison by putting them all
together. To be so particular shows that there is a difference in
copying and copying is copying a picture, and copying is copying a piece
of sugar, and copying is copying china. All copying is so arranged that
there is no trembling when joy is filling. All the time that sadness has
is the time that sadness is. All the temper is in place, darkness is not
looking like this. No sorrow is loaned for the succession of friendly
business intervention. A research means more. There is a cause in
extreme recognition. No place is taken. Time for bells is ringing and
breaking nothing is disturbing urging. There is a piece.
A room, a paper, a fig, a chase, a poison cup, a trace of a hat, all
this together is no disappearance. The joy prevails and the season is
Sunday. The end is beyond that.
If there is no question and an answer is not a toilet, if there is no
question is there any strangeness in a garden. Certainly not, the danger
is not any color. It has the bloom and the sign of an early summer.
There is no necessity to deface anything. An escape is not needed.
There is one question. In not asking a question the permission which is
continued is so courteous that there is no moon-light. The time does
keep the rain from startling more than a diary. This shows that there is
no question and an answer is no meeting.
The point then consists in there coming to be so much recent relief that
the advance is simultaneous and surely if the same step is there there
is no treachery. The interchange is worshipped with a boat. There is no
time in the use of money. A little means more of that same
multiplication and in any case there came that time. There is no worry
and this does not mean that there is that absence, it does not even mean
more, it does mean that a change is enveloping. It does not mean that it
exists.
A tune is splendor and a turn is that which a mark on the floor does not
chasten. So much sun is not a sunbeam. So much clarity is not stifling.
Surely the representation of an uncherished filling is not more odious
than mankind. The thought which determines a flight is the firmness of
the plant that is not boiling. All the time which is of use is that
which when the change has the same resemblance as some origin shows no
mixture of more capping. The necessity is not ungainly and gaining that
is what is the obstacle in staging. It is no place when the basket is
there and baskets have no pink ribbon, they have glass. A piece of the
same is cheaper.
All the same there is an exceptional use of the point of a resprinkler.
It does not mean the same as the future. There is that quality.
Public-domain text, read in full here on John Shaqi.
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