American drama -- 20th century; Experimental fiction, American; Prose poems
A pink and that is a flower and smelling, a pink and the name is
different and has some when there is intonation, a pink and the rumor
has not spread, it is ordinary. If so and the opposition is astonishing
then surely there is that destruction and no suspicion is more, there is
a report. All the same there is more nervousness than retraction and
more in sight than outside and in any case a name is there. Two of them
are the same.
Was the explosion that authority, did it succeed more than yesterday,
was there tomorrow before, these are not questions asking, they are not
existing missing, they are so applied that there is no joke, there is no
pleasure. All the same the standard is there and the separation has a
position, it has no repudiation, it has no hurrying centralization, it
has nothing there. If to be there is mentioned then the whole response
is the occasion. It is and there is more. There is no answer. There is
turning. Turning is not a victim, it has no protection, it has no
authority, it has a receipt.
Time to state and to circle the whole thing to be an island and not
water, this is the season of fishing and in and by circling there is no
surface, there is all there is and the time to rain is not the time to
station swimming. This is no disgrace.
All the same there is a splendid piece of special soft sour and silk
lining, there is and there is a mistake. An object is not more used than
a mixture and surely if the time was chosen it was not there beside the
swift selling mother of colored clothing, and yet there is no sale and
there is a reason, there is the reason that anything is the sign of a
use and using nothing is not a pointed selection, it is more than that,
it is collecting.
This does not mean that antiquity is more antiquity, it means that the
origin of eating is eating and the renewal of the wading is not
swimming. It does not mean that, it means that the time and place and
more is so satisfied that there is no place, and any place is no
vacation. And yet that is not so narrow and actual, not at all, if it
were and it is, if it were then certainly they would celebrate the
result, they do not that is to say one does if there is nothing, the
other does if there is nothing. There is that establishment when there
is no land and any land that shows the line is that and is one. Any
extra way is the way of speaking. There is no use in no more.
THE KING OR SOMETHING
(THE PUBLIC IS INVITED TO DANCE)
Letting me see.
Come together when you can.
Have it higher. You mean that lake.
What was that funny thing you said.
I am learning to say a break.
I am learning to say a clutch.
I am learning to say it in french. A house or lions.
A young lion looks like a dog. We laugh. I am not satisfied.
You have to feel what you write.
PAGE II.
I hear a noise.
PAGE III.
Public-domain text, read in full here on John Shaqi.
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