American drama -- 20th century; Experimental fiction, American; Prose poems
She was then a young one, she was then quite a young one, she was later
a little an older one. She was then feeling in being one loving, she was
then thinking in being one loving. She was then living in being one
loving. She could be then one being completely loving. She was filled
then, completely filled then, she was then feeling in being loving, she
was then thinking in being loving. She was completely filled then. She
was feeling, she was thinking, she was feeling and thinking then in
being one loving.
She could be then one being completely loving, she was thinking and
feeling in being one who could be completely loving. She was coming then
to be a full one, she was coming then to be thinking and feeling in this
thing in being one being a completely filled one. She was full then, she
was filling in then in being one living in loving, in living in thinking
in being loving, in living in feeling being one being loving.
She was full then and was not then losing anything. She was thinking
then, she was feeling then, she was thinking then and feeling then in
being full then. She was thinking and feeling then in being one not
losing anything of any such thing as being one being full then.
She could be one being completely full. She was thinking in being one
who could be completely full. She was feeling in being one who could be
completely full. She was always living in being one feeling and thinking
in being one who could be completely full.
She was full then and she was thinking and feeling, thinking in this
thing, feeling in this thing. She was thinking and feeling and being
full then. She was thinking and feeling in being one who could be
completely full.
She was filling in in all her living to be a full one, she was thinking
and feeling in all her living in being a full one. She was thinking and
feeling all her living in being one who could be a completely full one.
She was all her living a full one. She was completely filling in to be a
full one and she always was a full one. She was thinking in being a full
one. She was feeling in being a full one. She was thinking in feeling in
being a full one. She was feeling in thinking in being a full one.
If they move in the shoe there is everything to do. They do not move in
the shoe.
The language of education is not replacing the special position that is
the expression of the emanation of evil. There is an expression when
contemplation is not connecting the object that is in position with the
forehead that is returning looking. It is not overpowering. That is a
cruel description. The memory is the same and surely the one who is not
older is not dead yet although if he has been blind he is seeing. This
has not any meaning.
Oh the bells that are the same are not stirring and the languid grace is
not out of place and the older fur is disappearing. There is not such an
end.
Public-domain text, read in full here on John Shaqi.
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