American drama -- 20th century; Experimental fiction, American; Prose poems
If it had happened that the little flower was larger and the white color
was deeper and the silent light was darker and the passsage was rougher
it would have been as it was and the triumph was in the place where the
light was bright and the beauty was not losing having that possession.
That was not what was tenderly. This was the piece of the health that
was strange when there was the disappearance that had not any origin.
The darkness was not the same. There was the writing and the preparation
that was pleasing and succeeding and being enterprising. It was not
subdued when there was discussion, it was done where there was the room
that was not a dream.
This is all to prepare the way that is not the way to like anything that
in speaking is telling what has come that like a swelling is inside when
there is yellowing.
There is that liking. That does not shape the way to say that there is
not anywhere anything that is resembling. Perfection is not
adulteration. There is the substance that has not any defect.
If the program is not despondent and it has that substance then
certainly the beginning is the tender blessing that unfolding is not
subduing. There is that presentment and the quiet is not so sound but
that there can be a change of origin. There can be that elevation. This
is not an argument. There is the work that has that place and there is a
garden. A little taller bending does not haste the erection of the
grotto that has a fountain. That is so soon.
To pardon, that is to have seen that there was a long way to stare when
the heat was the same as there was when the voices were together. This
was the temptation and so solidly was there when there was there that
the whole reception was not filled with more than all every day who had
come anywhere and had heard that there was. This did not mean more than
all. It meant all and the result of the precious and precise way was
that there was that preparation and not the disintegration when there
was that distinct evolution. There could be the same if any one was
certain that there is not any evolution. This does not make the tedium
that is eternal so particular that listening is a blessing. This does
not disguise a flower.
Come in and that expression is not that one of waiting. To use a name is
not the time that seeing has not been. This is discussion. This is
obligation. This is the composition.
Public-domain text, read in full here on John Shaqi.
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